#1
|
Poetry Collections
|
1921
|
Poems
|
1924
|
Observations
|
1935
|
Selected Poems
|
1936
|
The Pangolin and Other Verse
|
1951
|
Collected Poems
|
1956
|
Like a Bulwark
|
1959
|
O to Be a Dragon
|
1961
|
The Marianne Moore Reader
|
1962
|
Eight Poems
|
1966
|
Tell Me, Tell Me: Granite, Steel and Other Topics
|
1967
|
The Complete Poems of Marianne Moore
|
1969
|
Selected Poems
|
1982
|
The Complete Poems
|
1994
|
Complete Poems
|
2002
|
Becoming Marianne Moore: The Early Poems, 1907-1924
|
2003
|
Poems of Marianne Moore
|
|
|
#2
|
Poems
|
1921
|
Pedantic Literalist
|
1921
|
To a Steam Roller
|
1921
|
Diligence Is to Magic as Progress Is to Flight
|
1921
|
Those Various Scalpels
|
1921
|
Feed Me, Also, River God
|
1921
|
To William Butler Yeats on Tagore
|
1921
|
He Made This Screen
|
1921
|
Talisman
|
1921
|
Black Earth
|
1921
|
"He Wrote the History Book," It Said
|
1921
|
You Are Like the Realistic Product of an Idealistic Search for Gold at the Foot of the Rainbow
|
1921
|
Reinforcements
|
1921
|
Roses Only
|
1921
|
In This Age of Hard Trying Nonchalance Is Good, and
|
1921
|
The Fish
|
1921
|
My Apish Cousins
|
1921
|
When I Buy Pictures
|
1921
|
Picking and Choosing
|
1921
|
England
|
1921
|
Dock Rats
|
1921
|
Radical
|
1921
|
Poetry
|
1921
|
In the Days of Prismatic Color
|
1921
|
Is Your Town Nineveh?
|
1924
|
To an Intra-Mural Rat
|
1924
|
Reticence and Volubility
|
1924
|
To a Chameleon
|
1924
|
A Talisman
|
1924
|
To a Prize Bird
|
1924
|
Injudicious Gardening
|
1924
|
Fear Is Hope
|
1924
|
To a Strategist
|
1924
|
A Fool, a Foul Thing, a Distressful Lunatic
|
1924
|
To Military Progress
|
1924
|
An Egyptian Pulled Glass Bottle in the Shape of a Fish
|
1924
|
To a Snail
|
1924
|
The Bricks Are Fallen Down, We Will Build with Hewn Stones. The Sycamores Are Cut Down, We Will Change to Cedars
|
1924
|
George Moore
|
1924
|
Nothing Will Cure the Sick Lion but to Eat an Ape
|
1924
|
To the Peacock of France
|
1924
|
In This Age of Hard Trying, Nonchalance Is Good And
|
1924
|
To Statecraft Embalmed
|
1924
|
The Monkey Puzzler
|
1924
|
The Past Is the Present
|
1924
|
Critics and Connoisseurs
|
1924
|
To Be Liked by You Would Be a Calamity
|
1924
|
Like a Bulrush
|
1924
|
Sojourn in the Whale
|
1924
|
Peter
|
1924
|
A Grave
|
1924
|
The Labors of Hercules
|
1924
|
New York
|
1924
|
People's Surroundings
|
1924
|
Snakes, Mongooses, Snake-Charmers, and the Like
|
1924
|
Bowls
|
1924
|
Novices
|
1924
|
Marriage
|
1924
|
Silence
|
1924
|
An Octopus
|
1924
|
Sea Unicorns and Land Unicorns
|
1941
|
What Are Years
|
1944
|
Nevertheless
|
1949
|
A Face
|
1956
|
Bulwarked Against Fate
|
1956
|
Apparition of Splendor
|
1956
|
Then the Ermine
|
1956
|
Tom Fool at Jamaica
|
1956
|
The Web One Weaves of Italy
|
1956
|
The Staff of Aesculapius
|
1956
|
The Sycamore
|
1956
|
Rosemary
|
1956
|
Style
|
1956
|
Logic and "The Magic Flute"
|
1956
|
Blessed Is the Man
|
1959
|
O to Be a Dragon
|
1959
|
I May, I Might, I Must
|
1959
|
To a Chameleon
|
1959
|
A Jelly-Fish
|
1959
|
Values in Use
|
1959
|
Hometown Piece for Messrs. Alton and Reese
|
1959
|
Enough: Jamestown, 1607-1957
|
1959
|
Melchior Vulpis
|
1959
|
No Better Than a "Withered Daffodil"
|
1959
|
In the Public Garden
|
1959
|
The Arctic Ox (or Goat)
|
1959
|
Saint Nicholas
|
1959
|
For February 14th
|
1959
|
Combat Cultural
|
1959
|
Leonardo da Vinci's
|
1966
|
Granite and Steel
|
1966
|
A Burning Desire to Be Explicit
|
1966
|
In Lieu of the Lyre
|
1966
|
The Mind, Instractable Thing
|
1966
|
Dream
|
1966
|
Old Amusement Park
|
1966
|
An Expedient
|
1966
|
And a Querry
|
1966
|
W.S. Landor
|
1966
|
To a Giraffe
|
1966
|
Charity Overcoming Envy
|
1966
|
Profit Is a Dead Weight
|
1966
|
Blue Bug
|
1966
|
Arthur Mitchell
|
1966
|
Baseball and Writing
|
1966
|
My Crow, Pluto
|
1966
|
A Fantasy
|
1966
|
To Victor Hugo of My Crow Pluto
|
1966
|
Rescue with Yul Brynner
|
1966
|
Carnegie Hall: Rescued
|
1966
|
Tell Me, Tell Me
|
1966
|
Saint Valentine
|
1966
|
Subject, Predicate, Object
|
1966
|
Sun
|
1969
|
The Accented Syllable
|