|
#1
|
Poetry Collections
|
|
1971
|
Knowing My Place
|
|
1973
|
New Weather
|
|
1975
|
Spirit of Dawn
|
|
1977
|
Mules
|
|
1978
|
Names and Addresses
|
|
1980
|
Immram
|
|
1980
|
The O-O's Party, New Year's Eve
|
|
1980
|
Why Brownlee Left
|
|
1982
|
Out of Siberia
|
|
1983
|
Quoof
|
|
1984
|
The Wishbone
|
|
1986
|
Paul Muldoon: Selected Poems 1968-1983
|
|
1987
|
Meeting the British
|
|
1990
|
Madoc: A Mystery
|
|
1994
|
The Annals of Chile
|
|
1994
|
The Prince of the Quotidian
|
|
1995
|
Six Honest Serving Men
|
|
1996
|
Kerry Slides
|
|
1996
|
New Selected Poems: 1968-1994
|
|
1998
|
Hay
|
|
2001
|
Poems 1968-1998
|
|
2002
|
Moy Sand and Gravel
|
|
2006
|
Horse Latitudes
|
|
2006
|
General Admission
|
|
2009
|
Plan B
|
|
2010
|
Maggot
|
|
2013
|
The Word on the Street
|
|
2015
|
One Thousand Things Worth Knowing
|
|
2016
|
Rising to the Rising
|
|
2016
|
Selected Poems 1968-2014
|
|
2017
|
I Gave the Pope a Rhino
|
|
2019
|
Frolic and Detour
|
|
2020
|
Dislocations: The Selected Innovative Poems of Paul Muldoon
|
|
|
|
|
#2
|
Poems
|
|
1973
|
The Electric Orchard
|
|
1973
|
Wind and Tree
|
|
1973
|
Blowing Eggs
|
|
1973
|
Thrush
|
|
1973
|
The Glad Eye
|
|
1973
|
Hedges in Winter
|
|
1973
|
Macha
|
|
1973
|
The Waking Father
|
|
1973
|
Dancers at the Moy
|
|
1973
|
Identities
|
|
1973
|
Clonfeacle
|
|
1973
|
February
|
|
1973
|
Kate Whiskey
|
|
1973
|
Thinking of the Goldfish
|
|
1973
|
Vespers
|
|
1973
|
The Cure for Warts
|
|
1973
|
Leaving an Island
|
|
1973
|
The Radio Horse
|
|
1973
|
Good Friday, 1971. Driving Westward
|
|
1973
|
Seanchas
|
|
1973
|
Behold the Lamb
|
|
1973
|
Hedgehog
|
|
1973
|
Lives of the Saints
|
|
1973
|
Easter Island
|
|
1973
|
The Indians on Alcatraz
|
|
1973
|
Vampire
|
|
1973
|
Elizabeth
|
|
1973
|
The Kissing Seat
|
|
1973
|
Grass Widow
|
|
1973
|
Skeffington's Daughter
|
|
1973
|
Cuckoo Corn
|
|
1973
|
The Upriver Incident
|
|
1973
|
The Lost Tribe
|
|
1973
|
The Field Hospital
|
|
1973
|
Party Piece
|
|
1973
|
The Year of the Sloes, for Ishi
|
|
1977
|
Lunch with Pancho Villa
|
|
1977
|
The Centaurs
|
|
1977
|
The Big House
|
|
1977
|
Epona
|
|
1977
|
Cass and Me
|
|
1977
|
How to Play Championship Tennis
|
|
1977
|
Cheesecake
|
|
1977
|
Ned Skinner
|
|
1977
|
Ma
|
|
1977
|
Keen
|
|
1977
|
Vaquero
|
|
1977
|
Our Lady of Ardboe
|
|
1977
|
Big Liz
|
|
1977
|
The Ducking Stool
|
|
1977
|
The Girls in the Poolroom
|
|
1977
|
Boon
|
|
1977
|
The Wood
|
|
1977
|
At Master McGrath's Grave
|
|
1977
|
Blemish
|
|
1977
|
The Bearded Woman, by Ribera
|
|
1977
|
The Merman
|
|
1977
|
Paris
|
|
1977
|
The Narrow Road to The Deep North
|
|
1977
|
The Mixed Marriage
|
|
1977
|
De Secretis Mulierum
|
|
1977
|
Largesse
|
|
1977
|
Cider
|
|
1977
|
The Rucksack
|
|
1977
|
At Martha's Deli
|
|
1977
|
The Country Club
|
|
1977
|
Bang
|
|
1977
|
Duffy's Circus
|
|
1977
|
Mules
|
|
1977
|
Armageddon, Armageddon
|
|
1980
|
Whim
|
|
1980
|
October 1950
|
|
1980
|
The Geography Lesson
|
|
1980
|
The Weepies
|
|
1980
|
Bran
|
|
1980
|
Cuba
|
|
1980
|
The Bishop
|
|
1980
|
The Boundary Commission
|
|
1980
|
Early Warning
|
|
1980
|
Lull
|
|
1980
|
I Remember Sir Alfred
|
|
1980
|
Ireland
|
|
1980
|
Anseo
|
|
1980
|
Why Brownlee Left
|
|
1980
|
Immrama
|
|
1980
|
Promises, Promises
|
|
1980
|
Truce
|
|
1980
|
History
|
|
1980
|
Palm Sunday
|
|
1980
|
The Avenue
|
|
1980
|
Something of a Departure
|
|
1980
|
Holy Thursday
|
|
1980
|
Making the Move
|
|
1980
|
The Princess and the Pea
|
|
1980
|
Grief
|
|
1980
|
Come Into My Parlour
|
|
1980
|
The One Desire
|
|
1980
|
Immram
|
|
1983
|
Gathering Mushrooms
|
|
1983
|
Trance
|
|
1983
|
The Right Arm
|
|
1983
|
The Mirror
|
|
1983
|
The Hands
|
|
1983
|
The Sightseers
|
|
1983
|
My Father and I and Billy Two Rivers
|
|
1983
|
Quoof
|
|
1983
|
Big Foot
|
|
1983
|
Beaver
|
|
1983
|
Mary Farl Powers Pink Spotted Torso
|
|
1983
|
Edward Kienholz The State Hospital
|
|
1983
|
Glanders
|
|
1983
|
The Salmon of Knowledge
|
|
1983
|
From Strength to Strength
|
|
1983
|
Cherish the Ladies
|
|
1983
|
Yggdrasill
|
|
1983
|
Mink
|
|
1983
|
The Frog
|
|
1983
|
A Trifle
|
|
1983
|
Sky-Woman
|
|
1983
|
Kissing and Telling
|
|
1983
|
The Unicorn Defends Himself
|
|
1983
|
Blewits
|
|
1983
|
The Destroying Angel
|
|
1983
|
Aisling
|
|
1983
|
The More a Men Has the More a Man Wants
|
|
1987
|
Ontario
|
|
1987
|
The Coney
|
|
1987
|
My Grandfather's Wake
|
|
1987
|
Gold
|
|
1987
|
Profumo
|
|
1987
|
Chinook
|
|
1987
|
The Mist-Net
|
|
1987
|
The Marriage of Strongbow and Aoife
|
|
1987
|
Brock
|
|
1987
|
The Wishbone
|
|
1987
|
The Lass of Aughrim
|
|
1987
|
Meeting the British
|
|
1987
|
Crossing the Line
|
|
1987
|
Bechbretha
|
|
1987
|
Christo's
|
|
1987
|
The Earthquake
|
|
1987
|
The Fox
|
|
1987
|
The Soap-Pig
|
|
1987
|
The Toe-Tag
|
|
1987
|
Gone
|
|
1987
|
Paul Klee: They're Biting
|
|
1987
|
Something Else
|
|
1987
|
Sushi
|
|
1987
|
Wystan
|
|
1987
|
Gypsy
|
|
1987
|
Ben
|
|
1987
|
Chester
|
|
1987
|
Salvador
|
|
1987
|
Carson
|
|
1987
|
Louis
|
|
1990
|
The Key
|
|
1990
|
Tea
|
|
1990
|
Capercaillies
|
|
1990
|
Arsa
|
|
1990
|
The Panther
|
|
1990
|
Cauliflowers
|
|
1990
|
The Briefcase
|
|
1990
|
Madoc: A Mystery
|
|
1994
|
Ovid: Metamorphoses
|
|
1994
|
Brazil
|
|
1994
|
Oscar
|
|
1994
|
Milkweed and Monarch
|
|
1994
|
Twice
|
|
1994
|
Incantata
|
|
1994
|
The Sonogram
|
|
1994
|
Footling
|
|
1994
|
The Birth
|
|
1994
|
César Vallejo: Testimony
|
|
1994
|
Cows
|
|
1994
|
Yarrow
|
|
1997
|
Hopewell Haiku
|
|
1998
|
The Mudroom
|
|
1998
|
The Point
|
|
1998
|
Nightingales
|
|
1998
|
Plovers
|
|
1998
|
The Bangle
|
|
1998
|
The Plot
|
|
1998
|
Tract
|
|
1998
|
Rainer Maria Rilke: The Unicorn
|
|
1998
|
White Shoulders
|
|
1998
|
Green Gown
|
|
1998
|
Now, Now
|
|
1998
|
Longbones
|
|
1998
|
Lag
|
|
1998
|
Symposium
|
|
1998
|
Between Takes
|
|
1998
|
Sleeve Notes
|
|
1998
|
Hay
|
|
1998
|
Apple Slump
|
|
1998
|
The Train
|
|
1998
|
Three Deer, Mount Rose, August 1995
|
|
1998
|
Hopewell Haiku
|
|
1998
|
Anonymous: Myself and Pangur
|
|
1998
|
Rainer Maria Rilke: Black Cat
|
|
1998
|
Paunch
|
|
1998
|
Long Finish
|
|
1998
|
The Throwback
|
|
1998
|
They That Wash on Thursday
|
|
1998
|
Blissom
|
|
1998
|
The Little Black Book
|
|
1998
|
Errata
|
|
1998
|
Horses
|
|
1998
|
A Journey to Cracow
|
|
1998
|
Aftermath
|
|
1998
|
Wire
|
|
1998
|
Rune
|
|
1998
|
Third Epistle to Timothy
|
|
1998
|
A Half Door Near Cluny
|
|
1998
|
Burma
|
|
1998
|
The Hug
|
|
1998
|
White
|
|
1998
|
The Fridge
|
|
1998
|
The Bangle (Slight Return)
|
|
2002
|
Hard Drive
|
|
2002
|
Unapproved Road
|
|
2002
|
Moy Sand and Gravel
|
|
2002
|
The Misfits
|
|
2002
|
The Braggart
|
|
2002
|
The Whinny
|
|
2002
|
A Collegelands Catechism
|
|
2002
|
Beagles
|
|
2002
|
Tell
|
|
2002
|
Guns and Butter
|
|
2002
|
One Last Draw of the Pipe
|
|
2002
|
Caedmon's Hymn
|
|
2002
|
Paul Valéry: Pomegranates
|
|
2002
|
Pineapples and Pomegranates
|
|
2002
|
Winter Wheat
|
|
2002
|
Herm
|
|
2002
|
Whitehorns
|
|
2002
|
Affairs of State
|
|
2002
|
The Otter
|
|
2002
|
John Luke: The Fox
|
|
2002
|
Anthony Green: The Second Marriage
|
|
2002
|
As
|
|
2002
|
The Stoic
|
|
2002
|
Famous First Words
|
|
2002
|
The Grand Conversation
|
|
2002
|
On
|
|
2002
|
An Old Pit Pony
|
|
2002
|
Summer Coal
|
|
2002
|
The Loaf
|
|
2002
|
The Outhouse
|
|
2002
|
News Headlines from the Homer Noble Farm
|
|
2002
|
The Killdeer
|
|
2002
|
Horace: Two Odes
|
|
2002
|
Eugenio Montale: The Eel
|
|
2002
|
When Aifric and I Put in at That Little Creek
|
|
2002
|
The Ancestor
|
|
2002
|
Homesickness
|
|
2002
|
Two Stabs at Oscar
|
|
2002
|
The Breather
|
|
2002
|
The Goose
|
|
2002
|
A Brief Discourse on Decommissioning
|
|
2002
|
The Turn
|
|
2002
|
Redknots
|
|
2002
|
Cradle Song for Asher
|
|
2002
|
At the Sign of the Black Horse, September 1999
|
|
2006
|
Horse Latitudes
|
|
2006
|
Tithonus
|
|
2006
|
Bob Dylan at Princeton, November 2000
|
|
2006
|
The Biddy Boys
|
|
2006
|
Alba
|
|
2006
|
Soccer Moms
|
|
2006
|
As Your Husband Looks Up to Our Window
|
|
2006
|
The Procedure
|
|
2006
|
The Treaty
|
|
2006
|
Eggs
|
|
2006
|
At Least They Weren't Speaking French
|
|
2006
|
The Old Country
|
|
2006
|
The Outlier
|
|
2006
|
It Is What It Is
|
|
2006
|
Turtles
|
|
2006
|
Flags and Emblems
|
|
2006
|
90 Instant Messages to Tom Moore
|
|
2006
|
Riddle
|
|
2006
|
Turkey Buzzards
|
|
2006
|
Starlings, Broad Street, Trenton, 2003
|
|
2006
|
The Coyote
|
|
2006
|
Now Pitching Himself Like a Forlorn Hope
|
|
2006
|
Perdu
|
|
2006
|
The Landing
|
|
2006
|
The Mountain Is Holding Out
|
|
2006
|
Medley for Morin Khur
|
|
2006
|
Glaucus
|
|
2006
|
The Last Time I Saw Chris
|
|
2006
|
Hedge School
|
|
2006
|
Sillyhow Stride: In Memory of Warren Zevon
|
|
2009
|
Plan B
|
|
2009
|
Extraordinary Rendition
|
|
2009
|
A Mayfly
|
|
2009
|
François Boucher: Arion on the Dolphin
|
|
2009
|
From Wayside Shrines
|
|
2009
|
The Sod Farm
|
|
2009
|
The Watercolor
|
|
2009
|
The Rowboat
|
|
2009
|
A Hummingbird
|
|
2009
|
A Hare at Aldergrove
|
|
2010
|
Geese
|
|
2010
|
More Geese
|
|
2010
|
A Christmas in the Fifties
|
|
2010
|
Sandro Botticelli: The Adoration of the Magi
|
|
2010
|
Moryson's Fancy
|
|
2010
|
The Fish Ladder
|
|
2010
|
Laterat
|
|
2010
|
Quail
|
|
2010
|
When the Pie Was Opened
|
|
2010
|
The Windshield
|
|
2010
|
Nope
|
|
2010
|
My Lord Byron's Maggot
|
|
2010
|
Lines for the Centenary of the Birth of Samuel Beckett
|
|
2010
|
Charles Baudelaire: "The Albatross"
|
|
2010
|
The Humors of Hakone
|
|
2010
|
Ohrwurm
|
|
2010
|
Love Poem with Pig
|
|
2010
|
@
|
|
2010
|
Lines for the Quatercentenary of the Voyage of the Halve Maen
|
|
2010
|
Yup
|
|
2010
|
The Fling
|
|
2010
|
Balls
|
|
2010
|
Loss of Separation: A Companion
|
|
2010
|
A Second Hummingbird
|
|
2010
|
The Side Project
|
|
2010
|
The Porcupine
|
|
2010
|
Another Porcupine
|
|
2010
|
Capriccio in E Minor for Blowfly and Strings
|
|
2010
|
Wayside Shrines
|
|
2013
|
Azerbaijan
|
|
2013
|
Badass Blues
|
|
2013
|
Big Twist
|
|
2013
|
Black Box
|
|
2013
|
Cleaning Up My Act
|
|
2013
|
Comeback
|
|
2013
|
Days of Yore
|
|
2013
|
Dream Team
|
|
2013
|
Elephant Anthem
|
|
2013
|
Feet of Clay
|
|
2013
|
Go-To Guy
|
|
2013
|
Good Luck with That
|
|
2013
|
Head In
|
|
2013
|
I Don't Love You Anymore
|
|
2013
|
It Won't Ring True
|
|
2013
|
It's Never Too Late for Rock 'n' Roll
|
|
2013
|
Jersey Fresh
|
|
2013
|
Jezebel Was a Jersey Belle
|
|
2013
|
Julius Caesar Was a People Person
|
|
2013
|
Over You
|
|
2013
|
Owls to Athens
|
|
2013
|
Put Me Down
|
|
2013
|
So Long
|
|
2013
|
Taking Stock
|
|
2013
|
Tin Star
|
|
2013
|
The Word on the Street
|
|
2013
|
Wouldn't Do
|
|
2013
|
You Say You're Just Hanging Out (But Know You're Just Hanging In)
|
|
2013
|
You'd Better Think Twice
|
|
2013
|
The Youngers (Bob and John and Jim and Cole)
|
|
2015
|
Cuthbert and the Others
|
|
2015
|
Pelt
|
|
2015
|
Charles Émile Jacque: Poultry Among Trees
|
|
2015
|
Pip and Magwitch
|
|
2015
|
A Dent
|
|
2015
|
Dodgems
|
|
2015
|
Barrage Balloons, Buck Alec, Bird Flu, and You
|
|
2015
|
Rita Duffy: Watchtower II
|
|
2015
|
A Night on the Tiles with J. C. Mangan
|
|
2015
|
Saffron
|
|
2015
|
At the Lab
|
|
2015
|
A Civil War Suite
|
|
2015
|
Recalculating
|
|
2015
|
We Love the Horse Because Its Haunch
|
|
2015
|
Anonymous: From "Marban and Guaire"
|
|
2015
|
Federico García Lorca: "Death"
|
|
2015
|
A Pillar
|
|
2015
|
Catamaran
|
|
2015
|
Near the Grace of God Nail Salon
|
|
2015
|
A Giraffe
|
|
2015
|
Dromedaries and Dung Beetles
|
|
2015
|
Some Pitfalls and How to Avoid Them
|
|
2015
|
Cuba (2)
|
|
2015
|
Tusker
|
|
2015
|
Honey
|
|
2015
|
Seven Selfies from the Château d'If
|
|
2015
|
The Firing Squad
|
|
2015
|
Álvaro de Campos: "Belfast, 1922"
|
|
2015
|
Los Dissidentes
|
|
2015
|
Required Fields
|
|
2015
|
To Market, to Market
|
|
2015
|
Noah & Sons
|
|
2015
|
Paul Muldoon: "Pompeii"
|
|
2015
|
Camille Pissarro: Apple Picking at Eragny-sur-Epte
|
|
2015
|
Dirty Data
|
|
2017
|
Superior Aloeswood
|
