Subgenres of electronic and experimental music

[№]

Description

Name

1

Generative [374]floor-oriented music produced live via algorithms. Artists: Renick Bell, Kindohm, Alex McLean.

2

Chillout genre taking cues from [20] and [308] Reggae, featuring the atmosphere of the former and the Jamaican-style [156]s, percussion, and psychedelic production techniques of the latter. Artists: Ephemeral Mists, The Orb, Scorn.

3

Emerged in the mid-1990s mainly in the form of chillout remixes of [227] tracks, incorporates its arpeggiated synthesizer sound into [12] and [20] contexts. Artists: Chicane, Aes Dana, Labores Somnium.

4

Created by sound chips, cards, and sequencers found in video game consoles, personal computers, and arcade machines, as well as synthesizers emulating these sounds. Artists: Anamanaguchi, Crystal Castles, You Love Her Coz She's Dead.

5

Used primarily in the 1980s within the context of 8-bit Video Game Music, combining simple synthesized waveforms and [313] in a compositionally limited but overtly melodic style. Artists: Sabrepulse, Nullsleep, Dubmood.

6

Sound synthesis that combines the simple waveforms of [5] with modulating oscillators to create a [356]ier synthesizer sound that would be used in arcade cabinets and home video game consoles like the Sega Mega Drive/Genesis in the late 1980s. Artists: Autechre, John Chowning, Holly Herndon.

7

Composed for early home computer and game consoles from the late 1980s to the late 1990s, primarily for video game soundtracks. Artists: David Wise, Alexander Brandon, DarkeSword.

8

Created using video game consoles with audio hardware using [name of this subgenre] audio samples, most notably the Super Nintendo Entertainment System. Artists: 桜庭統, Bubblegum Octopus, 光田康典.

9

Combines [5]-like synths with compositions inspired by [91] and Spacesynth. Artists: Gustaf Grefberg, lizardking, Awesome.

10

Fuses [4] with additional synths, beats, guitars and modern production values, emphasizing highly catchy melodies and relatively fast tempos. Artists: Slagsmålsklubben, She, Welle:Erdball.

11

Fusion of Celtic Folk Music with various types of [25]. Artists: Xera, Catherine Duc, Peatbog Faeries.

12

Atmospheric, groove-based Electronic music with relaxed tempos and mellow beats. Artists: Massive Attack, Bonobo, Zero 7.

13

Evokes a surreal, trippy, dreamy, and sometimes dark atmosphere with offbeat turntable scratches, light vocal melodies, and Hip Hop-influenced beats. Artists: Tricky, Portishead, Unkle.

14

Emerged out of Punk and [398] art movements in the mid-1970s, often characterized by a bleak, mechanical atmosphere, the use of metallic percussion as well as other unconventional instruments, and extensive use of sampling influenced by [21]. Artists: Nine Inch Nails, Einstürzende Neubauten, The Prodigy.

15

Focuses on evoking epic and atmospheric soundscapes commonly associated with fantasy and medieval settings through the usage of synthesizers, keyboards, and drum machines. Artists: Burzum, Mortiis, Wongraven.

16

Consists of calm, peaceful and soothing sounds, as well as nostalgic, sentimental, or childish atmospheres and aesthetics, often incorporates wholesome themes while utilizing lo-fi or hazy recordings and influences from [335]. Artists: Grandma's Cottage, tiny mouse, Cherry Cordial.

17

Focuses on creating cold, minimalistic, and repetitive soundscapes, commonly invoking imagery of winter. Artists: Winterblood, yearner, Jääportit.

18

Manipulation and processing of sound sources to create atmospheric pieces. Artists: Iannis Xenakis, Karlheinz Stockhausen, Bernard Parmegiani.

19

Fixed-media [18] music designed to be reproduced by multiple loudspeakers without the presence of instrumentalists and visual cues. Artists: Vladimír Hirsch, Thomas Köner, Luc Ferrari.

20

Emphasizes sound over structure, aimed at evoking a particular atmosphere or mood. Artists: Brian Eno, Aphex Twin, William Basinski.

21

Manipulation of recorded environmental sounds, mostly Field Recordings, natural sounds, and real-world [313]s. Artists: Pierre Schaeffer, Edgard Varèse, Pierre Henry.

22

Formed in the late 1980s and early 1990s; grew out of a combination of [83] and [14]. Artists: Front Line Assembly, :Wumpscut:, Skinny Puppy.

23

Emerged in the early 1990s in Europe, combining [83] beats with the abrasiveness of old school [14] but with a greater focus on a horror-inspired atmosphere and harsh, distorted vocals. Artists: Combichrist, Suicide Commando, Hocico.

24

Based on the dark atmosphere of [23], typically characterized by more aggressive [111]-influenced beats and harsh/distorted vocals. Artists: Psyclon Nine, Agonoize, Grendel.

25

Broad category for subgenres mainly derived from [365], featuring Electronic sounds, synthesizers, drum machines and varying BPM ranges. Artists: Avicii, Steve Aoki, Calvin Harris.

26

Combines an eclectic mix of [25] genres with the instrumentation and melodic stylings of Modern Classical and Orchestral for a maximalist and emotional sound. Artists: Isis, Neurosis, Cult of Luna.

27

Emerged in the late 1990s in Mali; peaks at around 170BPM and prominently features looping, cut-up balafon samples. Artists: DJ Diaki, Otim Alpha, Mamelon.

28

Originated in the underground club scene of Paris in the mid-to-late 2010s, drawing on a variety of international club styles for its combination of prominent and erratic drum programming with freezing and looping chopped-up samples. Artists: CLUBKELLY, De Grandi, Sunareht.

29

An umbrella of affiliated [25] styles broadly characterized by prominent syncopated drum patterns (called [name of this subgenre]) that emerged from [33]'s initial influence, not including styles directly related to [49] and [62]. Artists: Fatboy Slim, The Crystal Method, Bassnectar.

30

Incorporates prominent "squelching", resonant low pass filter sounds typical to [149], and often other "trippy" effects into intense, syncopated, broken rhythms in the tempos of 110-150 BPM. Artists: Global Goon, Cirrus, Ceephax.

31

Drew on the "booty bass" syncopation of [354], combined with [29] rhythms around 130 BPM and chopped up vocal samples as found in [179]. Artists: Spank Rock, Blaqstarr, DJ Tameil.

32

Popular in Britain during the late 1990s, driven by edited [29]s and prominent [156]s. Artists: The Chemical Brothers, Propellerheads, Rob Overseer.

33

Originated from the combination of sampled [29]s and energetic rhythms with the "rave" influences set by early-1990s [211] and [149], including upbeat "stab" riffing and sample-based production. Artists: Zomby, Altern 8, 4hero.

34

Dark atmosphere and fast rhythms; served as a forerunner of [49]. Artists: 4 Horsemen of the Apocalypse, Rufige Cru, Metalheads.

35

Revival of [33] which emerged in the 2000s, bringing in modern influences and production techniques. Artists: Lone, SL2, Acen.

36

Indonesian style that slows down the syncopated rhythms of [103] to moderate tempos around 130 BPM. Artists: Endo AP, Iyank, Willy L3.

37

A style of [36] with the high-pitched synth leads of [167] and the frantic "tribal" rhythms of [196]. Artists: DJ Binciel, Mz Music, Petro Dollar.

38

Developed during the mid-1990s, combining major influences of Hip Hop derivatives such as [354] and Electro along with elements of 1990s [25] genres like [148] or [211]. Artists: DJ Icey, DJ Fixx, DJ Baby Anne.

39

Developed in the late 1990s and early 2000s; combines elements from [49], [254], and [211] with [29]. Artists: Stanton Warriors, Plump DJs, David Tipper.

40

Derivative of [189] that incorporates its lush, melodic synth leads and atmospheres into [29]'s syncopated and broken rhythms. Artists: Hybrid, Way Out West, BT.

41

Combines the earlier [29]s of Hip Hop and early [29] or even [354], with various 1990s [25] genres like [227] and [211]. Artists: Electroliners, Überzone, Adam Freeland.

42

Syncopated rhythm patterns arrived at through [49] programming techniques; originally developed by artists hailing from [211], [148], [49], and Hip Hop backgrounds. Artists: Mark de Clive-Lowe, Jazzanova, Bugz in the Attic.

43

Originated in the early 2010s, exaggerating the cutest and most feminine parts of 2000s [378] and combining them with [356]y, plastic synths over rhythms and sounds derived from a variety of contemporary club styles. Artists: SOPHIE, Charli XCX, Hannah Diamond.

44

Originating in the Netherlands in the late 1980s, fusing sped-up [373] with Dutch Antillean music and contemporary Dutch rave. Artists: Cutty Ranks, Munchi, BRANKO.

45

Genre from the Philippines with distinct high-pitched synth hooks. Artists: DJ Arjay, DJ Eclipse, DJ Love.

46

Bass-heavy and minimal style of Ivorian [374], drawing heavily from Zouglou and Congolese rhythms. Artists: Magic System, DJ Arafat, Jessy Matador.

47

Emerged in the 2010s as the hybridization of diverse [25] genres with an abrasive [338] sound. Artists: Arca, Amnesia Scanner, Against All Logic.

48

Mixes an Electronic sound into traditional Cumbia through influences from [148], [373], [397], and [70]. Artists: Bomba Estéreo, Chancha Via Circuito, Lido Pimienta.

49

Typified by fast, syncopated [29] patterns (often sampled or programmed) with prominent [156]s, commonly within the 160-180 BPM range. Artists: Pendulum, Chase & Status, Kosheen.

50

Prominent in the mid-1990s, distinguished by its use of faster, de-emphasized [29]s and a greater focus on more melodic elements like slow, warm [156]s, and atmospheric melodies inspired by [20] and [152]. Artists: Seba, Blu Mar Ten, LTJ Bukem.

51

Emerged in the late 2000s and early 2010s as a form of simpler, lighter and more melodic [49] in comparison to many of the [49] genres which preceded it. Artists: Metrik, Feint, Delta Heavy.

52

Hard, uptempo and uses heavy [29]s, [338]-influenced sound design, and horror movie samples to create a sinister, claustrophobic atmosphere. Artists: Black Sun Empire, Spor, Technical Itch.

53

Harsh and dense mixture of [52] with [111] developed in the late 2000s. Artists: The Outside Agency, DJ Hidden, I:gor.

54

Characterized by repetitious, aggressive, off-beat rhythms often programmed using distorted, harsh, and [313]y percussion that usually resembles clangy "pots and pans", machine gun-like snares. Artists: Current Value, Hostage, Donny.

55

Focuses on complex drum beats made to emulate live recordings. Artists: Breakage, Alaska, Paradox.

56

[374]floor-friendly, loud, and heavy combination of the drum programming of [61] with the half-time tempo and midrange LFO wobble of [71]. Artists: Pegboard Nerds, Knife Party, Riot.

57

Combining [100]'s archetypal percussion, skittering drum fills, handclaps, and syncopated rhythms, with [49] drum programming and [29]s, merging the two into unconventional, frantic drumming and dense, off-kilter rhythms. Artists: Slick Shoota, Dream Continuum, Phillip D. Kick.

58

Offshoot of [49] (mainly [67]) characterized by off-kilter rhythms playing at around 80-85 BPM (half of normal [49] pace), influenced by [70], [259], [246], and Hip Hop. Artists: Om Unit, Two Fingers, Ivy Lab.

59

Overly compressed drums and a gritty, minimalistic production style. Artists: Audio, Switch Technique, Cooh.

60

Combines the rhythm and speed of [49] with the melodies, composition, and instrumentation of Jazz. Artists: London Elektricity, Roni Size, E-Z Rollers.

61

Emerged in the mid-1990s, characterized by loud "wobbling" [156]s, simpler drum loops, and a light-hearted and warm sound. Artists: Sub Focus, Aphrodite, TC.

62

Developed in the early 1990s from [33], featuring rapid, chaotic-sounding [29]s and strong [156]s; known as the forerunner of most [49] styles. Artists: Goldie, DJ Fresh, Bong-Ra.

63

Developed in the early 1990s in London, combining [62] [29]s with heavy influence from Ragga. Artists: Congo Natty, General Levy, FFF.

64

Lush and warm variant of [49] developed in the early 2000s, using polished, smooth production, [384] and Soul samples and occasionally incorporating live instrumentation. Artists: Blackmill, Maduk, B-Complex.

65

Combines [49] tempos and drum patterns, in addition to its [384] and Soul influences, with various styles of Brazilian Music. Artists: Kaleidoscópio, DJ Marky & XRS, Drumagick.

66

[49] which strips down the sound as far as it can go without wholly ceasing to be [49]. Artists: Synkro, Consequence, Alix Perez.

67

Focuses on technical songwriting with warped, complex bass sounds, distorted and modulated synths (often with repeated stabs over the [156]s), and dark but clean production. Artists: Noisia, Evol Intent, Camo & Krooked.

68

Futuristic, dark, and gritty sound; quantized and compressed drum breaks, distorted bass lines, and a focus on a sci-fi atmosphere and sampling sources. Artists: Dom & Roland, Raiden, Calyx.

69

Combination of [227] melodies and structure with the [29]s, fast tempos, and rolling [156]s of [49]. Artists: John B, Concord Dawn, Ben Sage.

70

Characterized by half-time syncopated and sparse beats set around 140 BPM with heavy sub-basses; emerged in South London in the early 2000s. Artists: Burial, Benga, Kevin Martin.

71

Offshoot of [70] which replaces its sub-bass-oriented sound with an emphasis on catchy or aggressive mid-range melodies. Artists: Skrillex, Krewella, Nero.

72

Combines aggressive wobbling basses with the euphoric drops of [78] and [104]. Subgenre of [71]. Artists: Sharks, Chime, DDD.

73

Darker, heavier form of [71] that uses "machine gun" basses, atonal synths, and elements from genres like Death Metal and Metalcore. Artists: Substep Infrabass, Midnight Tyrannosaurus, Getter.

74

A fusion style of [211] and Rock in which [220]'s straight-up drum kick shuffled to offbeat emphasis. Often triplet eighths are used to create swinging rhythms. Artists: International Pony vs. Losoul, Tekromantik, Ssora.

75

Heavy use of repetition, wet and metallic sound design; frequently pulls inspiration from older [70]. Artists: Sizzla, Vybz Kartel, Collie Buddz.

76

Relaxed [70] influenced by [12] and [20]. Artists: Modestep, MitiS, Phaeleh.

77

Commonly features dark textures, spatial production, and midrange basses. Artists: Killawatt, Kryptic Minds, Commodo.

78

Melodious, tuneful drops, rich, lush synth leads, powerful stretched chords, and light and harmonious sound design. Artists: Illenium, Rameses B, Dabin.

79

Emerged in the late 2000s out of the [70] scene of the time, incorporating synth leads and [156]s inspired by 1980s [86] and 1990s G-[384], and Video Game Music, into a rhythmic palette mostly derived from [70] and [109]. Artists: Rustie, Joker, Hudson Mohawke.

80

Group of club styles from the US East Coast that combines [354] rhythms with influence from [29] and [179]. Artists: Galen Tipton, Vincent Remember, Ase Manual.

81

Emerged in Newark in the late 2000s; features fast tempos, hard kicks, and less prominent [29]s. Artists: Baauer, UNiiQU3, Lido.

82

Builds on Baltimore Club with a faster tempo and sometimes influences from more modern genres like [246]. Artists: DJ Sega, Swizzymack, Kilbourne.

83

Melodic and beat-driven [25] take on [338] that developed in the 1980s. Artists: VNV Nation, Front 242, Covenant.

84

Derivative of [83], retaining its apocalyptic worldview but incorporating heavy influence from the melodic style of [290]. Artists: Apoptygma Berzerk, Assemblage 23, Icon of Coil.

85

Underground [374] music which originated in Belgium around 1987, tending to resemble slower, harder [83]. Artists: Lords of Acid, A Split Second, Dirty Harry.

86

Syncopated rhythms programmed on the Roland TR-808 drum machine, often resembling [384] breaks, along with simple [384]y [156]s. Artists: Prince, Toro y Moi, Chromeo.

87

Derived from [86], originally gained popularity in the Nordic countries of Sweden and Finland. Artists: Eero Johannes, Coco Bryce, Mesak.

88

Draws from 1980s styles such as [86], [377], and [89] combined with [211], resulting in minimal, throbbing beats and [156]s, buzzing synthesizer parts, vocoders and often monotone, half-spoken, half-sung vocals. Artists: Ladytron, Peaches, IAMX.

89

[365] instrumentation is largely - if not entirely - replaced by synthesizers and augmented with futuristic elements such as the vocoder. Artists: Giorgio Moroder, Glass Candy, Black Devil Disco Club.

90

Emerged in the late 1970s and quickly became the most popular form of [25] in the LGBT club scenes of San Francisco and New York, characterized by its uptempo, high-energy sound. Artists: Dead or Alive, Bronski Beat, Kim Wilde.

91

Produced primarily in Italy and is characterized by the use of synthesizers, drum machines, and sometimes vocoders to create a mechanical, Electronic version of [365] with futuristic atmosphere. Artists: Sally Shapiro, Savage, Fancy.

92

Emerged in Europe in the mid-to-late 1970s, characterized by layers of oscillating synth, space-oriented sound effects (laser guns, spaceships, etc.), and an overall futuristic sound that hit just as Star Wars [Episode IV: A New Hope] was released. Artists: Lindstrøm, Todd Terje, Space.

93

Mixes elements of Merengue and Reggaetón with polished production from mainstream [148] subgenres; often shares traits with Latin [378], having anthemic melodies and verse-chorus structures. Artists: Crystal Fighters, Señor Coconut, La Prohibida.

94

Upbeat, energetic style that splices Swing with [25], looking to recapture the atmosphere of late 1920s to mid-1940s Jazz within a more updated club-friendly medium. Artists: Parov Stelar, Kormac, Gramophonedzie.

95

Fast-paced with roots in [90] and [91]; became mainly popular in Japan in the 1990s. Artists: Domino, Dave Rodgers, Niko.

96

Takes elements of Euro-[365], [148], [211], and [90] while featuring on-beat kick, hi-hat and snare sounds at around 110 to 150 BPM. Artists: Groove Coverage, Haddaway, La Bouche.

97

Playful, childlike style with a Bubblegum-like atmosphere that often incorporates high-pitched, light-hearted, and usually female-fronted vocals. Artists: Aqua, Caramell, Toy-Box.

98

Appeared in the 1990s after the decline of [91], featuring rhythmic influence from that genre. Artists: Gabry Ponte, Italobrothers, Eiffel 65.

99

Largely instrumental; infused with [25] elements. Artists: Allo Darlin', The Artful Dodger, Ceza.

100

Extensive use of drum fills, tom drums, handclaps, and snares; not bound to a 4/4 kick rhythm. Artists: Machinedrum, Jlin, DJ Rashad.

101

[86]-influenced; developed in Latino communities in New York and Miami in the 1980s, especially dominated by Latin Freestyle and its Latin influences. Artists: Stevie B, Lisa Lisa & Cult Jam, Exposé.

102

Displays a heavy influence of Hispanic American Music alongside the [365], Hip Hop, and [86] influences of [101]. Artists: Johnny O, Lil Suzy, Cynthia.

103

Fast-paced Indonesian form of [25] that combines [96] and [227] synths with the syncopated rhythm from Dangdut koplo. Artists: shisotex, DJ SymBiotiX, Rotteen.

104

Woozy, detuned synthesizers, 7th chords, harsh [156]s, syncopated percussion with fast-paced hi-hats and a melodic, carefree atmosphere. Artists: Flume, Mura Masa, San Holo.

105

"Cute" style of [104] rooted in anime and video game culture; emerged in Japan in the mid-2010s. Artists: gupi, Picco, Maxo.

106

Fuses the syncopation and synthesized sounds of [86] and [215] with the cut-up samples of [179] and fast rhythms of [354]. Artists: Nadia Oh, Sevdaliza, King Dude.

107

Tempos around 100-110 BPM, swung, [356]y drum patterns, and a focus on upbeat, [374]able drops and buildups. Artists: Flying Lotus, Nosaj Thing, Baths.

108

Features the complex bass of [67] and a frantic and mechanical sound design. Artists: KOAN Sound, Protostar, Skope.

109

[254]-derived production style characterized by dark, fast-paced, often aggressive beats that commonly features fast-paced MCing. Artists: Dizzee Rascal, Skepta, Wiley.

110

Typically instrumental, leftfield [109] style characterized by sparse, "[name of this subgenre]" percussion and spectral, atmospheric production. Artists: Sky H1, Mumdance & Logos, Mr. Mitch.

111

Umbrella term for a wide variety of extremely fast-paced, energetic [25] styles that have been developed since the early 1990s. Artists: Machine Girl, goreshit, Camellia.

112

Developed out of the 1990s [212] scene utilizing its prominence of "acid" TB-303 [156] sequences into more intense rhythms derived from earlier [111], [121] and [227]. Artists: Mr. Gasmask, Zekt, The Untitled.

113

Mixes [111] with cut-up, complex, and frequently [313]y [29]s at very high tempos inspired by [62] and [49], often with heavy use of sampling. Artists: Venetian Snares, The Flashbulb, Igorrr.

114

Heavily distorted or high-pitched anime vocal samples and complex cut-up [29]s with extreme tempos. Artists: odaxelagnia, Lolishit, Loli Ripe.

115

Sampling, particularly from [378] and [25], as well as playful melodies, hard kicks, and the typical [113] [29]s. Artists: Shitmat, カヒミ・カリィ, Rotator.

116

Combines [113] with elements from Ragga and [373]. Artists: Enduser, Cardopusher, Aaron Spectre.

117

High-tempo fusion of Hardcore Punk and Electronic, combining harsh vocals and electric guitars of the former with electronic instruments. Artists: Atari Teenage Riot, Alec Empire, Rabbit Junk.

118

Often somber and contemplative in mood, a feature achieved by the common use of long-stretched [20] pads, and sometimes even samples of screaming and other "spooky" sounds. Artists: Crowbar, Hibou, The Ocean.

119

Emerged in the mid-1990s, combining fast and hard-hitting rhythms with heavy influence from the synthesizers of [227]. Artists: Kevin Energy, DJ Noriken, CLSM.

120

Off-beat, [356]y rhythmic patterns and tempos around the 200 BPM range. Artists: Pleymo, Eths, Black Bomb A.

121

Fast-paced and energetic, often in the 160-220 BPM range, with a hallmark of a distinctive distorted kick sound. Artists: Angerfist, Neophyte, Evil Activities.

122

Emerged near the end of the 1990s; deeper, more harmonic bassdrums with constant use of supersaw melodies, breakdown sections and slower tempos closer to the 150-180 BPM range. Artists: Rotterdam Terror Corps, Art of Fighters, DJ Outblast.

123

Emerged in the 1990s from the UK [33] scene; characterized by saccharine vocals, uplifting piano riffs, and spacey effects, and gradually developing to emphasize extremely fast-paced four-on-the-floor beats. Artists: Scooter, Dune, Blümchen.

124

Average tempo of 160 to 180 BPM, four-on-the-floor beats, melodic and repetitive synth melodies, drums with hard kicks, short breaks, progressive stomping rhythms, and offbeat notes. Artists: Unicorn Kid, Ryu☆, Object One.

125

Four-on-the-floor beat around 175 BPM, thick, prominent [156]s, and uplifting synth leads, with a cleaner and more accessible sound than other forms of [111]. Artists: Darren Styles, Basement, Scott Brown.

126

Fuses the sonic palettes and aesthetics of [14] with the intense rhythms of [121], [128], Doomcore and other subsequent styles. Artists: The Outside Agency, Promo, Radium.

127

More energetic and eclectic form of Japanese [111]. Artists: DJ Sharpnel, IOSYS, t+pazolite.

128

Exceedingly fast tempos, frequently above 300 BPM, and often aggressive themes and samples. Artists: m1dy, Passenger of Shit, The Berzerker.

129

Often sounding like a buzz or hum due to being set to at least 1000 BPM. Artists: Pyrrhon, Noizefucker, Nasty Maid Grinder.

130

Faster version of [128] with BPM ranging from around 600 through 1000. Artists: Loffciamcore, Komprex, Imil.

131

Utilizes rhythms from earlier [121] with a faster BPM (usually no more than 300) and darker approach. Artists: Noisekick, Killingscum, ScreamerClauz.

132

Utilizes lo-fi production, harsh kicks, and elements borrowed from [137] and other gritty [111] styles while usually sitting at around 185-220 BPM. Artists: Karuan, D.R.S., Sjammienators.

133

Umbrella term for [25] mainly developed out of [138] and [142]; usually characterized by fast tempos, hard kick drums and a "[356]y" syncopated groove. Artists: Topmodelz, Basshunter, Lisa Lashes.

134

Hard, four-on-the-floor kick drums, fast tempo around 150 BPM, reverse bass and harsh, distorted synths. Artists: Noisecontrollers, Showtek, Brennan Heart.

135

Combines [134] with [70] and sometimes [255]. Artists: Ephixa, Arkasia, Obsidia.

136

Melodic, more lighthearted, and accessible [134]. Artists: Wasted Penguinz, Danny L Harle, Rebourne.

137

Incorporates earlier [134] and [111] influences into the sound of 2010s [134], creating a distinctly harsh, simplistic, raw, and dark sound, with fast BPM. Artists: Rebellion, Radical Redemption, Warface.

138

Rave-oriented form of [227] infusing its atmospheres with faster, thumping rhythms and strong melodic / [156] sections, initially spawning out of the first wave in early-1990s Western Europe. Artists: Cosmic Gate, Marcel Woods, Kai Tracid.

139

Heavy, distorted 909 beat popular in European countries like Belgium and the Netherlands in the 2000s. Artists: Jeckyll & Hyde, Coone, D-Block & S-te-Fan.

140

Features a "slow and violent" sound between 70-120 BPM with hard kicks inspired by [111] and [134]. Artists: Gigi D'Agostino, Chuck Norris, Dottor Dag.

141

Derived from [142]; featuring darker, more anthemic [227] beats and a tempo of 155-165 BPM. Artists: Yoji Biomehanika, Nick Skitz, Organ Donors.

142

Defined by offbeat bass patterns, compressed 909-style drums, buildup-drop structures, hoover sounds, and tempos between 120 and 155 BPM. Artists: Yolanda Be Cool & Dcup,Неизвестный Исполнитель, Klubbheads.

143

Features an upbeat and energetic sound often described as being "[356]y", influenced somewhat by [123]. Artists: XS Project, The Blackout Crew, Alex K.

144

[356]y hard bass beats, fast tempo, usually 150-175 BPM, and occasional lyrics or rapping. Artists: Headhunterz, Wildstylez, The Pitcher.

145

Highly percussive, syncopated rhythms, influences from global contemporary genres, and lack of melodic elements, with a tempo lingering between 130 BPM. Artists: Hyph11e, Wulffluw XCIV, TSVI.

146

Influenced by [111] and [211] and made in response to the [303] movement. Artists: Immune, HKE, b e g o t t e n 自杀.

147

Harder, festival-oriented offshoot of [306], combining its "reese" basses and icy synths with [246] drum patterns, build-up-drop structures, and fuller sound influenced by [227] and [134]. Artists: Skeler, Juche, enjoii.

148

Large, hugely popular group of related [25] styles, initially developing from [365] in the early 1980s. Artists: Daft Punk, David Guetta, deadmau5.

149

Emerged in the mid-1980s, characterised by repetitive [156]s created with the distinctive modulated "squelching" sound of the Roland TB-303 synthesiser. Artists: 808 State, Primal Scream, Psychic TV.

150

Emerged by fusing [164] with Southern African Music, characterized by hypnotizing drum patterns of shakers and congas, often sampled African vocals or soulful original features, and spiritual, organic, melodic atmosphere. Artists: Africanism, Gene Farris, Owiny Sigoma Band.

151

[148] from South Africa deriving from previous popular genres including [182], [185], and [164]. Artists: Black Coffee, Cassper Nyovest, Kabza De Small.

152

Primarily British genre developed in the 1990s with beats, synthesizers, and vocals in styles similar to [148], treated with effects that are often described as "dream-like" or "chilled out". Artists: Biosphere, The KLF, Nicolas Jaar.

153

Variety of relaxed, laid-back [148] that originates from the Balearic Islands off the coast of Spain, and particularly the club scene in Ibiza. Artists: Washed Out, Delorean, jj.

154

Emerged in the early 2000s, named for the underground American LGBT ballroom culture that spawned it, with hard-hitting rhythms and commonly featuring vocals by MCs known as commentators. Artists: G.M.Orchestra, LSDXOXO, MikeQ.

155

Emerged in the early to mid-2010s, blending [356]y, upbeat four-on-the-floor beats with prominent synth leads that often resemble the wobbles, growls, and synth stabs also found in other contemporary [25]. Artists: Habstrakt, JOYRYDE, AC Slater.

156

Strong emphasis on intricate [name of this genre]s as well as four-on-the-floor beat patterns. Artists: T2, Raffertie, Dexplicit.

157

Very energetic, festival-focused [25] genre characterized by heavily reverberated sound, [227]-inspired anthemic breakdowns, intense build-ups, four-on-the-floor beat focused on a strong kick and simple, minimalistic, drop melodies. Artists: Kshmr, Hardwell, Martin Garrix.

158

Originated in the 2010s in Brazil, taking influences from [164] and [191], characterized by deep, punchy [156]s making use of detuning and filtering effects. Artists: Alok, Bhaskar, dubdogz.

159

Taking influences from [158] and [175], characterized by prominent, "[356]y" [156] and simple, upbeat melodies. Artists: Regard, Topic, Imanbek.

160

Developed in the Netherlands in the 2000s, combining the older style of Bubbling with more modern [148], especially [167]. Artists: Yves Larock, Anti-G, De Schuurman.

161

Originated from Chicago around the mid-1990s as a development of [179], emphasizing hard-hitting, off-beat drum patterns, fast tempos, and lack of melodies. Artists: Frankie Knuckles, Azari & III, Mr. Fingers.

162

Distorted, minimalistic TR-909 derived rhythms, basic climaxing structures and heavy reliance on high-pitched synthesizer / hoover sounds. Artists: DJ Irene, Warp Brothers, Mauro Picotto.

163

Umbrella term for a broad variety of [148] that originated from Chicago in the (mostly mid-to-late) 1980s and early 90s. Artists: Larry Heard, Adonis, DJ Sneak.

164

Emerged in the United States during the mid-1980s, featuring a relaxed tempo and influences from Jazz, [384], and Soul. Artists: Kaskade, Moodymann, Miguel Migs.

165

Warm analog [156]s, punchy percussion, crisp high-pitched synthesizer leads, and clipped vocal samples. Artists: Wolfgang Gartner, Zedd, Porter Robinson.

166

[165] featuring dense sound design, [265]y rhythms, cut-up sections, and aggressive synth stabs. Artists: Kill Paris, Razihel, Mord Fustang.

167

High-pitched [259] synth melodies and heavy influence from [168] which developed in the Netherlands around 2007-08. Artists: Afrojack, BlasterJaxx, Nicky Romero.

168

Makes heavy use of [33]-esque synth stabs, pitch bending of [156]s, and cut-up vocal samples, as well as [265]y, or "choppy", 4/4 rhythms. Artists: Crookers, The Bloody Beetroots, Jack Beats.

169

Tempo is usually faster than most [148], often set at around 125-140 BPM, giving the production a '[356]y' sound. Artists: Deorro, New World Sound, Will Sparks.

170

Vocal style emerging in the late 1980s in Europe, developing in parallel with [96]. Artists: Culture Beat, 2 Unlimited, Black Box.

171

Uplifting, melodic, energetic but clean drops, featuring modern supersaws and pianos, taking influences from [189], [244], but applying them to a form structurally closer to [157] and [165]. Artists: Sasha, Deep Dish, Pryda.

172

Originated in France in the mid-1990s, characterized by the use of filtered (low-pass, phaser, etc.) samples of [384] and [365]. Artists: Thomas Bangalter, Stardust, Modjo.

173

Takes influence from [384], emulating its grooves and instrumentation and sometimes sampling [384] songs while retaining [148]'s four-on-the-floor kick rhythm. Artists: Madeon, Duck Sauce, Freemasons.

174

Sample-based form of [148] which formed out of [303] in the early 2010s. Artists: Desired, Saint Pepsi, Moe Shop.

175

Became popular in the mid-2010s, characterized by its distinctive metallic-sounding drops. Artists: Don Diablo, Oliver Heldens, Tchami.

176

Fusion of [169] and [175] that combines the former's [156]s and [356]y, upbeat drops with the latter's metallic, pronounced synth leads. Artists: GoldLink, Mike Williams, Aiobahn.

177

[365]-influenced style of [148] that developed in the 1980s, incorporating elements of Gospel, Soul, and [308], before evolving into a more upbeat style that prominently features crisp syncopated hi-hats and synth stabs. Artists: Todd Edwards, Bizarre Inc., Robin S.

178

Soulful, melodic, Gospel-infused [148] music developed in Newark, NJ in the late 1980s and early 1990s with an emphasis on songcraft. Artists: Eddie and the Cruisers, Rosie Gaines, Kenny Bobien.

179

Rough sound based around minimal drum machine-driven tracks and heavy usage of vocal samples. Artists: Chelsea Wolfe, Diamanda Galás, DJ Deeon.

180

Faster than [179], playing at 160bpm, and makes striking use of unconventional drum patterns which differ wildly from other [148] styles. Artists: DJ Spinn, RP Boo, Addison Groove.

181

Deep, dark form of [148] music that primarily incorporates rap samples or original rapping on top of minimal, bassy beats. Artists: Грибы, Volac, Amine Edge & Dance.

182

Evolved from South African [148], specifically [185]; often described as a more minimal and raw version. Artists: DJ Lag, FAKA, Dominowe.

183

[148] which involves rapping instead of singing. Artists: Azealia Banks, Technotronic, Bad Boy Bill.

184

Originated in Italy during the late 1980s, making use of anthemic pianos, diva vocals, and [357] song structures. Artists: 49ers, Dino Lenny, Fpi project.

185

Emerged from South Africa in the early 1990s, taking influence from [365] and Hip Hop. Artists: DJ Mujava, Mafikizolo, Zola.

186

Emerged in the second half of the 1980s, blending four-on-the-floor beats with Hispanic American Music influences from Puerto Rico, Mexico, Cuba, Dominica, and Colombia. Artists: Ian Pooley, Junior Jack, John Beltran.

187

Stripped-down, minimal form of [148], originating in the late 90s, which takes influence from [220], [265] and [270]. Artists: Ricardo Villalobos, Pantha du Prince, Herbert.

188

Mostly derived from [164]; intentional use of rough, lo-fi production, often utilizing a mix of analog/analog-like and digital instrumentation. Artists: Huerco S., Auscultation, Khotin.

189

[227]-influenced strain of [148] that grew to prominence in the early 1990s, using polished production and gradual progressions. Artists: John Digweed, Moonbeam, James Holden.

190

Primarily British style that paved the way for [254], combining cut-up vocal samples and sped up four-on-the-floor [177] rhythms with [62]-esque [156]s. Artists: Double 99, DJ Q, 187 Lockdown.

191

Emerged in the mid-1990s taking influences from [211], broadly characterized by minimalistic and repetitive melodies, focus on the [156], and constant groove recognizable by prominent off-beat hi-hats. Artists: Maya Jane Coles, Klangkarussell, Booka Shade.

192

Prominent, syncopated rhythms of tribal drums such as toms and bongos on top of a [148] beat, usually resulting in a percussive, energetic sound, while ranging in mood. Artists: Laurent Wolf, Robbie Rivera, Antoine Clamaran.

193

Originated in Colombia, featuring "fluttering" trumpets, accordion, and tambora drums. Artists: Sierra Maestra, Ismael Rivera, La Lupe.

194

Lighter and more relaxed sound, setting out to create summery or beach-like atmospheres. Artists: Kygo, Cheat Codes, Lost Frequencies.

195

Fast-paced [148] popular in Vietnam, remixing Vietnamese melodies. Artists: Pháo, Bích Phương, DJ Hoàng Anh.

196

Emerging mostly from [167] and [157], incorporates [192]-influenced percussion, hard kicks, and animal sounds resulting in a wild, [62]-resembling atmosphere in a festival [25]-oriented context. Artists: Wiwek, Valentino Khan, Kura.

197

Angolan music combining traditional Kilapanga and Semba with [211] and [148]. Artists: Buraka Som Sistema, Schlachthofbronx, DJ Marfox.

198

Initially developed in the late '80s in Luanda, Angola, as a mixture of Soca- and Zouk-based percussion samples. Artists: Parangolé, Niagara, Cleo.

199

Draws elements from Hip Hop and [25], featuring auto-tuned vocals, synth instrumental production, and rapping. Artists: Mumdance, Acid Arab, Cairo Liberation Front.

200

Spanish [211] developed in the early 1990s; strongly influenced by [85] and [83], but aiming for a lighter sound. Artists: M-Project, DJ-Technetium, Pont Aeri.

201

Asian [25] that mixes vocals and melodies from Mandopop with fairly hard, melodic [25]. Artists: DJ MingYong, mionn, DJ Jiawei.

202

Harsh synth leads and a usual tempo of around 90-110 BPM. Artists: The Pinker Tones, Eastmountainsouth, Randomer.

203

Characterized by high-pitched synth leads, gritty percussion, a kick-snare pattern, aggressive bass drops, and around 110 BPM while often paralleling [166] or [71]. Artists: Zomboy, Dillon Francis, Bro Safari.

204

[25] that features Reggaetón-like tempos and beats. Artists: Major Lazer, Diplo, Nadastrom.

205

Built around samples from [378], [211] and/or nerd culture. Artists: Jonathan Coulton, Lemon Demon, Starbomb.

206

21st-century trend mixing modern, polished Electronic production with the aesthetics, structures, and lively, organic beats of 1970s and 1980s [365]. Artists: Róisín Murphy, Moon Boots, Shook.

207

Adds a Romanian twist to the global [357] sound. Artists: Alexandra Stan, Inna, O-Zone.

208

South African genre with very fast BPM (around 180) featuring MIDI keyboard sounds and marimba. Artists: Actress, BBC, Nozinja.

209

Developed in Tanzania in the mid-2000s; fuses incredibly rapid beats, usually between 180-300BPM, with MCing and musical influences from older Tanzanian genres. Artists: Duma, Duke, Bamba Pana.

210

Began as a highly melodic strain of [91] in the early 1980s with a heavy [92] and [290] influence, before evolving into its own individual [25] style. Artists: Koto, Dynatron, Laserdance.

211

Originating in the mid-to-late 1980s; features repetitive, usually four-on-the-floor rhythms made with a drum machine, tempos generally between 120-160 BPM, and an often very mechanical sound. Artists: Orbital, Underworld, Tiësto.

212

Incorporates "squelching" synths from [149] into a mechanical and usually more energetic [211] context. Artists: Plastikman, Emmanuel Top, AFX.

213

Blends the mechanical, repetitive beats of [211] with atmospheres and textures inspired by [20], resulting in slower tempos and more understated rhythms. Artists: Yagya, Boards of Canada, The Future Sound of London.

214

Established in the late 1980s in the breakdancing and early rave scene of Yorkshire in the North of England, notable for its "bleepy" synth lines and heavy sub-bass. Artists: Sweet Exorcist, Aleksi Perälä, Forgemasters.

215

Features a signature mechanical, detached sound that echoed the atmosphere of Detroit's nightlife and incorporated influences from [86], [163], as well as [290] and [89]. Artists: Carl Craig, Richie Hawtin, Jeff Mills.

216

Originated in the early 1990s, commonly played at free parties in Europe, and features a repetitive pounding kick drum at tempos of 170 BPM or above. Artists: 69db, Spiral Tribe, Crystal Distortion.

217

Popular in the early 2000s; features layered shuffling percussion. Artists: Buchecha, DJ Ogi, David Moleon.

218

Harder, darker style of [211] which draws parallels with factories and the rhythm of machinery. Artists: SHXCXCHCXSH, Perc, Regis.

219

[227]-influenced subgenre that was established in the mid-to-late 2010s, characterized by gradually progressing structure, and hypnotizing, atmospheric sound with arpeggiated, minor melodies, playing at around 120-125 BPM. Artists: Discotronic, Alexander Kowalski, Aril Brikha.

220

Stripped-down and sparse, often featuring a dark sound and a slow, steady development through the track. Artists: Gui Boratto, The Field, Dominik Eulberg.

221

Fuses elements of [220] with characteristics of [308]. Artists: Andy Stott, Basic Channel, Bvdub.

222

Hard, dynamic, energetic and accessible subgenre featuring strong kicks, massive dirty synths, tempos around 130 BPM, more suspenseful structures with breaks and build-ups, and big, modern, festival-oriented sound; rose to high popularity in the late 2010s. Artists: Enrico Sangiuliano, HVOB, Spektre.

223

Characterised by fast tempos, aggressive "whooshing" beat patterns, heavy compression and straightforward song structures. Artists: DJ Rush, Felix Kröcher, Chris Liebing.

224

Strays from the standard beat of [211], opting for a more fractured sound. Artists: Neil Landstrumm, Cristian Vogel, Justin Berkovi.

225

Minimal, stripped-down with an emphasis on low-frequency bass partitions. Artists: Maggotron, Dynamix II, N-ter.

226

Blend of the themes and singing style of Rumba flamenca with the most commercial forms of [148], [211], and [200]. Artists: Antonio Flores, Camela, Alejandro Magno.

227

Evolving, tension-building structures with rapid, minor arpeggios on top of a hypnotic, four-on-the-floor drum patterns at fast tempo around 130-150 BPM. Artists: Armin van Buuren, ATB, Infected Mushroom.

228

Incorporates "squelching" acid [156]s into [227]'s evolving structure. Artists: Art of Trance, A*S*Y*S, Union Jack.

229

Incorporates production features associated with [157] and dirty, distorted leads influenced by [165], [167] and [134]. Artists: Audien, W&W vs. Ferry Corsten, Haka.

230

Slow tempo (about 130 BPM) with strong roots in [189], using beats typical of [96] and [357]; emphasizes a laid-back, carefree, and dreamlike sound. Artists: Robert Miles, Above & Beyond, Blank & Jones.

231

More accessible, usually vocal-driven subgenre that emerged as a fusion with [96], featuring its catchy, upbeat melodies and offbeat [156]s while keeping the fast tempos. Artists: Eric Prydz, Darude, 4 Strings.

232

Prominent, melodic supersaw leads, [357] derived hooks, and a strong reliance on sidechained [156]s and hard, powerful drums. Artists: Cascada, Manian, Rob Mayth.

233

Long, spacey compositions with a groovy and organic sound, named for the Indian province of Goa where the style emerged. Artists: Hallucinogen, Man With No Name, Juno Reactor.

234

Evolved from experimental mixes of [233] and [244]. Artists: Cyan, Space Odyssey, Agneton.

235

Builds on the relaxing island atmosphere of Balearic Beat, though with a slightly faster tempo of around 130 BPM. Artists: Three Drives, Energy 52, Solar Stone.

236

Combination of [227] and [189] which emerged in Western Europe in the early to mid-1990s. Artists: Paul van Dyk, Markus Schulz, Vibrasphere.

237

[227] with a psychedelic feel and energetic sound, based around influences from [233] and [228]. Artists: Shpongle, 1200 Micrograms, Astrix.

238

Dark, fast and [14]-influenced version of [237]. Artists: The Synthetic Dream Foundation, Penta, Kindzadza.

239

[265]y sound design, morphing synth lines, strange sounds typically evoking futuristic or alien-like atmospheres, and faster tempos than any other form of [237]. Artists: Crazy Astronaut, Paralocks, Angry Luna.

240

Faster, more intense form of [237] usually around 145-150 BPM using harder [156]s, regular vocal samples, and "spacey" effects. Artists: Fatali, Gataka, Chronos.

241

Emerged in the early 2000s, featuring a slow tempo range and clean production. among the common party themes, normally played during the afternoon or on a different stage. It has grown in popularity since the mid-2010s. Artists: Neelix, Ace Ventura, Symphonix.

242

Finnish-based deviation of [237] with an emphasis on free-form experimentation and humor. Artists: Texas Faggott, Luomuhappo, Troll Scientists.

243

Late 1990s-emerging subgenre characterized by energetic percussion with loud kicks, filtered hi-hats and tribal drums; side-chained, detuned and repetitive leads, as well as other raw, distorted, and complex sounds influenced by [211], [138] and [165]. Artists: Sander van Doorn, Richard Durand, Marco V.

244

Euphoric melodies, buildup-breakdown-anthem structures, common usage of supersaws, and a BPM range of usually around 135-142. Artists: Aly & Fila, Dash Berlin, Sean Tyas.

245

Melodic, polished, [378]-like, and vocal-focused with around 120-145 BPM and frequent overlap with [236], [244], and [231]. Artists: OceanLab, Ian van Dahl, Andain.

246

[396]-influenced syncopated percussion with 808 samples, fast-paced hi-hats and elements of [25]-like build-ups, drops, and breakdowns. Artists: Elliphant, DJ Snake, Blank Banshee.

247

Massive, sub-bass-heavy drops with simple melodies, synth leads and production influenced by [157]; highly popular from 2013 to 2015. Artists: Aero Chord, Player1, Tombz.

248

Often abrasive subgenre of [246] with heavy influence from [134]. Artists: Altan, GRAVEDGR, heRobust.

249

Characterized by a blend of [246]'s signature percussion and sub-basses with euphoric, uplifting, melodious drops prominently derived from [171], contrary to the gritty, "dirty" nature of other [246] styles. Artists: Slander, Savoy & Sound Remedy, Hellberg.

250

Blending [246]'s typical percussion and sub-basses with major influences from heavy bass music genres, and in particular, metallic, gritty, and off-kilter sound design, originally derived from [71]. Artists: Tropkillaz, SLUMBERJACK, eliminate.

251

Fast-paced; draws influence from [356] and [354]. Artists: Yellow Claw, Lil Jon, Fergie.

252

Features percussion from Cumbia and Mexican Folk Music with upbeat [165]-derived production and fast, triplet-oriented rhythmic patterns. Artists: 3BallMTY, Wasted Fates, Mama Testa.

253

Broad form of [25] characterized by prominent bass/sub-basses, a deep, dark, airy, and mechanical sound derived from [70], and eclectic production influenced by UK [384]y, [180]/[100], [211], and [29]. Artists: Jamie XX, Disclosure, Kelela.

254

Shuffling rhythms and influences from sources including Contemporary R&B and Hip Hop, as well as many forms of Electronic. From UK. Artists: Sway, MJ Cole, So Solid Crew.

255

Originating in London and popular in the late 1990s; jittery, shuffling rhythms rarely following a four-on-the-floor pattern. Artists: FaltyDL, submerse, Horsepower Productions.

256

Differentiated from other [254] subgenres by its use of hard-hitting [29] rhythms, as well as its focus on heavy, rolling [156]s. Artists: Vex'd, Distance, Boxcutter.

257

Derivative of [254] combining influences from the rhythms of late 1990s and early 2000s [255] with novel moods and production approaches, commonly featuring jittery, broken rhythms, vocal chops, and warm synth pads and plucks. Artists: SBTRKT, Volor Flex, Sepalcure.

258

Influenced by [254]-related styles and the regional styles of British immigrants, including Soca and West African-inspired [192]. Artists: Rudimental, Julio Bashmore, Girl Unit.

259

Off-kilter fusion of [70] and Hip Hop which first developed in the mid-to-late 2000s. Artists: XXYYXX, Sun Glitters, Slugabed.

260

Dense, layered, and compressed production, usually coupled with a distinct fuzzy and "warm" low-frequency synthesizer style. Artists: Ke$ha, La Roux, Hot Chip.

261

Defined by its [47] sonic palette and its cinematic proportions. Artists: Elysia Crampton, Chino Amobi, Integral.

262

Intense wandering soundscapes, scattered rapid short-duration sounds, complex [398] structures, and, usually, layered acousmatic decomposition and influences from [128], [270], and [113]. Artists: Richard Devine, Datach'i, Xanopticon.

263

Combines sound design techniques from [270] and [265] with acoustic instrumentation inspired by Contemporary Folk. Artists: Four Tet, Bat for Lashes, Bibio.

264

Originated in eastern North America around the turn of the 21st century, combining trends of [86] and [91]. Artists: Thundercat, Penguin Prison, VHS or Beta.

265

Uses the sounds created by malfunctioning digital technology - crashes, hardware [313], CD skipping, and digital distortion - for composition. Artists: edIT, Fennesz, Tim Hecker.

266

Incorporation of [270]-derived production into drum patterns inspired by Hip Hop beats. Artists: Shlohmo, Shigeto, Kraddy.

267

Heavily bit-crushed vocals, sometimes sped-up and pitched-up, and highly compressed and distorted production, typically made from existing material of other genres. Artists: bliss3three, YABUJIN, Exodia.

268

Combines eerie and haunting synth pads and sharp, abrasive sounds to create atmospheres that accentuated the dark, unnerving, violent, or ghostly themes of horror films. Artists: Perturbator, Carpenter Brut, Goblin.

269

Developed and took inspiration from Bubblegum Bass and popular 2000s-2010s [260], characterized by eclectic, unconventional, mechanical-sounding and dense production; and by manipulated, usually auto-tuned vocals. Artists: 100 gecs, Dorian Electra, ElyOtto.

270

Developing the idioms of [25] into a less club-oriented and more experimental direction, which can feature unconventional sound design and complex rhythms. Artists: Squarepusher, Amon Tobin, Apparat.

271

Frenzied, intricate beat programming inspired by [49]. Artists: µ-Ziq, The Flashbulb, Bogdan Raczynski.

272

Combines [20] soundscapes with Hip Hop drum patterns, breaks, and samples through the busy effect layering of [308]. Artists: DJ Spooky, The Third Eye Foundation, DJ Olive.

273

Combines the melody and directness of Indie [378], and sometimes the instrumentation of Indie Rock, with a willingness to experiment with contemporary Electronic textures and techniques. Artists: Friendly Fires, The Postal Service, The Books.

274

Hazy, reverb-drenched atmosphere and lo-fi aesthetics; originated predominantly from the United States in the summer of 2009. Artists: Neon Indian, Blackbird Blackbird, Gold Panda.

275

Incorporates elements of more experimental Electronic styles like [270] and [265]. Artists: FKA twigs, Junior Boys, Purity Ring.

276

Combines Electronic with Latin American influences; started at the end of the 1990s. Artists: Fashionless, Dirty Princess, Sonido Lasser Drakar.

277

Combines Tango rhythms and melodies with Electronic. Artists: Gotan Project, Bajofondo, Otros Aires.

278

Samples and synthesizes Mexican styles like Banda sinaloense and Norteño into a sound related to [270] and [148]. Artists: Terrestre, Bostich+Fussible, Clorofila.

279

Usage of sounds on an incredibly small scale. Artists: Alva Noto, Ryoji Ikeda, Taylor Deupree.

280

Extreme, experimental style forked from [73], with a harsh sound and sudden BPM changes. Artists: Moth, Wither, Code: Pandorum.

281

Retrospective term for more Electronic and minimal forms of [377], Post-Punk, [290], and related styles, tending towards a more sparse and lo-fi sound. Artists: Lebanon Hanover, Oppenheimer Analysis, Linear Movement.

282

Minimal and distinctly DIY take on [290] with a bleak and naive aesthetic. Artists: Martial Canterel, Linea Aspera, Solid Space.

283

Moog-led Electronic music often associated with a wave of Novelty records in the 1960s and 1970s. Artists: Mort Garson, Ataraxia, Bruce Haack.

284

Based around the technique of speeding and pitching up already existing songs. Artists: 志方あきこ, AliceBloodRabbit, CUTLoveRx.

285

Electronic styles which feature aesthetics and occasionally instrumentation inspired by Jazz. Artists: Skalpel, Micatone, De-Phazz.

286

Synthesizer-driven genre that began at the end of the 1960s, drawing influence from Progressive Rock, Classical Music, and [20]. Artists: Kraftwerk, Jean Michel Jarre, Vangelis.

287

Atmospheric, multi-layered synthesizer textures; pioneered in Berlin in the 1970s as an offshoot to the Krautrock movement. Artists: Tangerine Dream, Klaus Schulze, Peter Baumann.

288

Heavy influence from [237] and [233] incorporated in an atmospheric [20] context. Artists: Carbon Based Lifeforms, Solar Fields, Bluetech.

289

Flowing and relaxing synthesizer-based [20] often dubbed 'space music'. Artists: Jonn Serrie, Stellardrone, Steve Roach.

290

Led by a prominent, melodic synthesizer sound, often with reverberated drum machine patterns that create a distinct atmospheric feel commonly associated with the 1980s. Artists: Orchestral Manoeuvres in the Dark, Depeche Mode, Duran Duran.

291

Trot influenced by [290]. Only in South Korea. Artists: E Pak Sa, Hyone, Jin Do-hyeon.

292

Offshoot of 1980s Kayōkyoku and Idol kayō incorporating characteristics from [290]. Artists: 榊原郁恵, 寺嶋由芙, Akiko Yano.

293

Appropriates the harsh elements of Punk Rock but replaces the predominance of guitars with synthesizers and drum machines. Artists: Suicide, MIT, Brainiac.

294

Takes most of its inspiration from synth styles and [378] culture from the 1980s. Artists: Dance With The Dead, Lazerhawk, Kavinsky.

295

Incorporates atmospheric Horror Synth and faster tempos into a much heavier and darker sound. Artists: Dan Terminus, VHS Glitch, Hollywood Burns.

296

Northern Brazilian style particularly associated with peripheral areas of the city of Belém, updating the classic brega style with electronic production. Artists: Banda Uó, Pabllo Vittar, Banda Calypso.

297

Fusion of [296] and [385] featuring glossy syncopated MIDI pianos and synths, distinct pitched metallic snares and vocal chops over a [259] kick rhythm. Artists: MC Loma, Shevchenko e Elloco, MC Troia.

298

Slower and romantic Kizomba-fused beats. Artists: Mc Bruninho, Wesley Safadão, Aldair Playboy.

299

Meta-genre beginning with the rise of [303] and the aesthetics that it spawned. Artists: Acetantina, Infinity Frequencies, Vektroid.

300

Accentuates ambiance and a dreamy atmosphere within [299]. Artists:２８１４, No Age, Hong Kong Express.

301

Born out of [349] that emulates late 20th century futuristic and corporate aesthetics, often using "tacky"-sounding MIDI-esque instruments, in contrast to the looping, sample-based approach generally found in [303]. Artists: Wintersleep, FIRE-TOOLZ, James Ferraro.

302

Incorporates a blend of [396] percussion set to the re-utilization of old samples, such as 1990s [378] culture or old computer library sounds. Artists: NxxxxxS, Subaeris, VAPERROR.

303

Sample-based, involves heavily synthesized and processed manipulation of corporate mood and background (elevator) music; though source material can also include genres such as [378], Contemporary R&B, and [86]. Artists: Macintosh Plus, マクロスMACROSS 82-99, Luxury Elite.

304

Uses samples taken from TV broadcasts, advertising, film, radio, and other sources - often slowing down and manipulating the sound heavily. Artists: g h o s t i n g, ░▒▓新しいデラックスライフ▓▒░, 天気予報.

305

Blends the main characteristics of [303] with what can be described as background/elevator music. Artists: 猫 シ Corp., Zadig The Jasp, Lindsheaven Virtual Plaza.

306

Heavily influenced by 2010s Hip Hop production, characterized by dark, icy, nocturnal, and melancholic beats. Artists: Sidewalks and Skeletons, Dark0, CHVRN.

307

Nocturnal, occult-themed/horror-inspired, and murky beats with altered, slowed down and heavily processed samples laid on top of slow Hip Hop-derived drum rhythms and droning, dense synthesizers. Artists: Salem, oOoOO, Balam Acab.

308

Primarily instrumental Reggae which developed from the extensive use of studio techniques and effects like reverb and delay. Artists: Lee "Scratch" Perry, Augustus Pablo, Easy Star All-Stars.

309

Influenced by [308], consists of electronic beats played in a downbeat manner. It is much lower in speed than [211] and generally warmer than [374]-oriented electronica. Some tracks use reggae toasters or singers to produce a more accessible form of the music. Artists: Pole, HOLYCHILD, Shackleton.

310

Subgenre of [211] that combines the style with elements of [308], including its sparse, delay-heavy production and prominent bass. Artists: DeepChord, Fluxion, Maurizio.

311

Incorporated [308] elements are melodic [156]s, deep reggae roots and producing techniques like dynamically adding extensive echo, reverb and panoramic delay. Incorporated [237] elements are low-bass frequencies and hypnotic melodies and the use of samples. Artists: Ott, Liquid Stranger, Slackbaba.

312

Mixes contemporary influences (especially Electronic) with the traditional [308] sound. Artists: Zenzile, Dubians, High Tone.

313

Strays away from conventional structure, tonality, and composition and consists predominantly of [name of this genre]. Artists: Sonic Youth, Throbbing Gristle, Fuck Buttons.

314

Highly aggressive walls of sound that assault the listener. Artists: Merzbow, Prurient, Incapacitants.

315

[314] with frantic/spastic switches in sound and volume. Often incorporates elements of [265]. Can be very technical and complex with tons of post-production edits, or can be all done live by rapidly clicking pedals on and off and using loopers. Artists: K2, Kazumoto Endo, sickness.

316

[314] walls of sound that feature few dynamic variations and often take the form of long compositions with little to no change or progression over time. Artists: Vomir, The Rita, Pain Jerk.

317

Combines the static approach of [316] with textures leaning towards [20]. Artists: Trepaneringsritualen, Boris, Ben Frost.

318

Incorporates unconventional sounds with overpowering or constant [313] and Black Metal elements, often being heavily texture-oriented, abrasive, dissonant, atonal, or repetitive. Artists: Gnaw Their Tongues, Nahvalr, Abruptum.

319

Combines and subverts Goregrind and Grindcore with brash [313] and even faster drum tempos. Artists: Last Days of Humanity, Phyllomedusa, Dysmenorrheic Hemorrhage.

320

Waves of feedback, screeching analog synthesizers, and harsh, screamed vocals. Artists: Genocide Organ, Whitehouse, Brighter Death Now.

321

Combines the abrasive textures of [313] and [14] with dark, brooding [324]s and atmospheres. Artists: Atrax Morgue, Weena Morloch, Pharmakon.

322

[338] that combines looped samples of [313] with Electronic rhythms. Artists: Salt, Die In Progress, Tarmvred.

323

Usage of data to create sound, soundscapes and music mostly as a way to illustrate its information. Artists: Harold E. Dinger & Millett G. Morgan, Alvin Lucier, Jasmine Guffond.

324

Characterized by a focus on long, sustained tones and tone clusters, or repetition of single notes. Artists: Sunn O))), Earth, Stars of the Lid.

325

Improvised music which, in descending from Free Jazz and classical Indeterminacy, further abandons the prescriptions of harmonic or rhythmic structures which characterized those genres. Artists: Derek Bailey, John Zorn, Supersilent.

326

Radical and militant attitude, rejection of Western Classical Music and traditional criteria of craft, non-conformity, and a fascination with machines. Artists: Luigi Russolo, Antonio Russolo, Alfredo Casella.

327

Leaves elements of composition, performance, or both up to chance. Artists: John Cage, Terry Riley, Morton Feldman.

328

Compositional technique of utilizing and manipulating one or more recognizable recordings to create a new composition. Artists: Oneohtrix Point Never, The Avalanches, DJ Shadow.

329

Experimental music that centers around quiet dynamics and use of silence. Artists: Toshimaru Nakamura, StretchAndRelax, Taku Sugimoto.

330

Uses very quiet sounds, often using silence to juxtapose these sounds so as to amplify their intensity. Artists: Steve Roden, Richard Chartier, Sawako.

331

Exploration of the physical traits of sound rather than music as expression. Subgenre from Japan. Artists: Sachiko M, Otomo Yoshihide, Moe Kamura.

332

Incorporates elements from Experimental music and visual arts, with sound utilized as its primary medium and subject. Artists: Christina Kubisch, Meri von KleinSmid, John Most.

333

Sound pieces are layered and essentially "glued" together to create an auditory art piece. Artists: Nurse With Wound, Ground Zero, Yves Tumor.

334

A style of British Hardcore Rave/[211] music originally called Powerbounce. It's a mix of Happy Hardcore and fast [134]. Artists: DJ Riko, Tatarola, Eufeion.

335

A genre of music intended to create artistic inspiration, relaxation, and optimism. It's used by listeners for yoga, massage, meditation, and reading as a method of stress management. Artists: Enya, Enigma, Mike Oldfield.

336

Explores the nature of audio recorded to magnetic tape and the act of playing sound from it. Artists: Aaron Dilloway, Aidan Baker, Ursula Bogner.

337

Has its roots in the early half of the twentieth century, with experimental artists using the turntable (as well as the vinyl records it plays) as a distinct instrument in the creation of compositions. Artists: MC 900 Ft Jesus, Benji Boko, Rob Swift.

338

Umbrella group of genres that combine the dark, mechanical aesthetic of early [14] with more accessible genres, such as Rock and [25]. Artists: Current 93, Der Golem, Death in June.

339

[20] emphasizes an ominous, gloomy, and dissonant atmosphere. Artists: Lustmord, Atrium Carceri, Antimatter.

340

[20] incorporates some elements usually associated with Black Metal scene. Artists: Darkspace, Vinterriket, Nordvargr.

341

[20] with dark, deep, disturbing, ritualistic, and occult atmosphere. Artists: Aghast, Herbst9, Inade.

342

Experimental Hip Hop that uses [14] beats and sounds. Artists: Techno Animal, Death Grips, dälek.

343

Fuses Metal with elements from [14]. Artists: Static-X, Rammstein, Marilyn Manson.

344

Originated around 1999, influenced by [83] and [24] with more melodic and less repetitive riffs as well as harsh vocals. Artists: Fear Factory, Sybreed, Neurotech.

345

Alternative Metal and [343] that incorporates various aspects of electronic music, specifically [25]. From Germany. Artists: OOMPH!, Eisbrecher, Unheilig.

346

Hybrid of Rock and [14]. Artists: Killing Joke, Zeromancer, Celldweller.

347

Incorporates elements of traditional European military marches with Neoclassical Darkwave, [339], [14], and Neofolk. Artists: Laibach, Rome, Von Thronstahl.

348

Characterized by ethereal, [313]y washes of sound created by extensive usage of multiple effect pedals, such as distortion, reverb, and delay; dreamy, usually unintelligible vocals, and roaring volumes. Artists: My Bloody Valentine, Slowdive, Have a Nice Life.

349

Originating among 2000s underground artists referencing the sounds of 1970/1980s [378] culture through hazy, low-fidelity production. Artists: John Maus, Ariel Pink, Dean Blunt.

350

Combines the theory and atmosphere of [20] with traditional instruments and sounds from around the globe. Artists: Byron Metcalf, Sephiroth, Ulf Söderberg.

351

Subgenre of [294] and an online aesthetic which originates from a number of post-Soviet states, primarily Russia. It is characterized by themes associated with the Soviet Union and is part of the cultural phenomenon of nostalgia for the USSR. Artists: Маяк, Артек Электроника, White Wishes.

352

Common influences include the 1980s jangle [378] of Australian bands, as well as the lo-fi "Dunedin sound" of New Zealand's Flying Nun record label. The term has since been applied by music critics to a wider range of Australian acts that share a DIY ethic and a "peculiarly and recognisably Australasian sound". Artists: Twerps, Courtney Barnett, Dick Diver.

353

Very slow-moving, physical, textured aesthetic, often created using unconventional instruments processed through a laptop computer. Artists: Jason Lescalleet, MIMEO & John Tilbury, 4G.

354

Sustained Roland TR-808 kick drums and faster tempos, along with a distinct [86] influence. Artists: 2 Live Crew, Gucci Crew II, FBC & VHOOR.

355

High energy mid-2000s form of [372] that combines [375] with elements of [25] styles like [88] and [165]. Artists: Klaxons, Hadouken!, Late of the Pier.

356

Developed in New Orleans in the early 1990s, initially defined by a slow to midtempo beat with a double-time hi-hat on top. Artists: Juvenile, Big Freedia, Duke Dumont.

357

Simple, yet catchy melodies and throbbing beats inspired initially by [365] and later various [148] styles. Artists: Lady Gaga, Madonna, Britney Spears.

358

A fusion genre of [335] with Peruvian flute and/or Paraguayan harp music. Artists: Llewellyn, Luis Perez, Jorge Reyes.

359

Influenced by and sometimes also based upon baroque or classical music. The artist may offer a modern arrangement of a work by an established composer or combine elements from classical styles with modern elements. Artists: Max Richter, Nox Arcana, Vanessa-Mae.

360

A hybrid genre of [14] and [20]; the term [14] being used in the original experimental sense. Typical [name of this subgenre] work consist of evolving dissonant harmonies of metallic [324]s and resonances, extreme low frequency rumbles and machine noises. Artists: Skrol, Aghiatrias, Job Karma.

361

A style of [20] prominent in the 1990s. A form of fractured, subdued music that "pushed away" listeners. "[20]'s sinister, antisocial cousin". Artists: Blood Box, Simulacra, Apoptose.

362

[25], considered to be a subgenre of [33], which came out from the UK rave scene of the early 1990s: this genre in particular emerged from late 1992. It is recognised as being one of the direct precursors of the music genre now known as [49]. Artists: Endymion, Ophidian, Enzyme X.

363

The genre later turned into a fusion of [29] and [237] in the mid 2000s, splicing [29] [156]s and rhythms into otherwise heavily [237]-influenced tracks. Artists: Hedflux, Digitalis, Cybernetika.

364

A musical genre that used to describe the music of bands inspired by [13] and various types of Rock, mainly Post-Rock and Alternative Rock. Artists: Archive, Agua de Annique, The Gathering.

365

Combines the lush orchestration of Philly Soul and bass grooves of [384] with a four-on-the-floor rhythm. Artists: ABBA, Bee Gees, Boney M.

366

A term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against [365] in the United States, leading to civil unrest and a riot in Chicago known as the [365] Demolition Night. Artists: John Lee Hooker, Status Quo, ZZ Top.

367

It was originally termed as an offshoot of Japan's Western-influenced "new music", but came to include a wide range of styles - including Soft Rock, R&B, [384], and [366]. Artists: YUKIKA, 山下達郎, 大貫妙子.

368

A smoother style, influenced by [20], Chillout, Jazz and Soul. It gets its name from its common use of the "think break" - a drum break sampled from Lyn Collins's 1972 song "Think (About It)". Artists: PFM, Artemis, Polar.

369

Evolved out of [308] in Kingston in the 1970s, as well as in London and Toronto. Consists of spoken word over reggae rhythms. Artists: Linton Kwesi Johnson, Prince Far I, Kode9 & The Spaceape.

370

Created in Poland in the 1980s, it was initially known as "sidewalk music". This genre, being a part of the musical folklore, had great popularity in the 1990s, with its peak in 1995-1997. Then came a gradual decline in the popularity. Artists: Akcent, Boys, Bayer Full.

371

British [372] genre popular in the late 1980s and early 1990s, with many of the artists referred to as "[name of this subgenre]" being bands from the Madchester scene. Artists: The Stone Roses, Happy Mondays, Inspiral Carpets.

372

Incorporates rhythms and synthesizers from [25] within the context of Alternative Rock and related styles; predominantly popular in the 1990s. Artists: New Order, Björk, LCD Soundsystem.

373

Developed from Reggae in the late 1970s, when Roots Reggae became more stripped-down, with an increased emphasis on pure rhythm. Artists: Gentleman, Sean Paul, Damian Marley.

374

Covers the modern forms developed since the advent of [365] in the early 1970s, including [365] itself, [25], and [357]. Artists: Michael Jackson, Rihanna, Kylie Minogue.

375

Mixes the energy of Punk Rock and Post-Punk ethos with the [374]able rhythms of [384] and [365]; originated in the late 1970s. Artists: Death from Above 1979, Does It Offend You Yeah?, The Rapture.

376

Term has been applied retrospectively to music that emerged during the mid-1980s in the UK which incorporated elements of [377], Jazz, Soul, and [378]. Music so classified often made extensive use of electronic keyboards, synthesizers and polished arrangements. Artists: Everything But the Girl, Roxy Music, Prefab Sprout.

377

Agitated and busy guitar melodies, jerky rhythms, often a heavy reliance on synthesizers, and typically intricate percussive sections, closely related to Post-Punk and influenced by Pop Rock and Electronic. Artists: The Cure, Joy Division, The Smiths.

378

Umbrella of popular styles closely tied to mass production and mass marketing, focusing on catchiness and accessibility through melody, rhythm, lyrics, and hooks. Artists: Katy Perry, Christina Aguilera, Justin Timberlake.

379

A broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, [398] composition, and electronic music among other eclectic sources. Artists: Faust, Amon Düül II, Popol Vuh.

380

Genre that emerged in Europe in the late 1970s, characterized by its detached lyrical tone, use of early electronic music instruments and a minimalist approach and style. It emerged from punk rock bands who, influenced by early electronic groups such as Kraftwerk, made use of portable synthesizers such as the Korg MS-20. Artists: The Soft Moon, Trisomie 21, Little Nemo.

381

Genre that emerged from the [377] and Post-Punk movement of the late 1970s. [name of this subgenre] compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow. Artists: Dead Can Dance, Lacrimosa, Blutengel.

382

A subgenre of [381] that is variously described as "gothic", "romantic", and "otherworldly". Developed in the early 1980s in the UK as an outgrowth of gothic rock. Artists: Cocteau Twins, Lycia, This Mortal Coil.

383

A term associated with various British Asian and South Asian Canadian musicians who blend elements of Western underground [374] and Asian music of their home countries. The sound has roots in the South Asian Diaspora, and many notable musicians within the genre are immigrants or children of immigrants. Artists: Karsh Kale, Talvin Singh, Midival Punditz.

384

Strong [374]able grooves typically carried by bass guitar and drums, prominent use of extended chords, and a percussive guitar style using a wah pedal. Artists: Jamiroquai, Funkadelic, Red Hot Chili Peppers.

385

Also known as Favela [384] - it's a hip hop style from Rio de Janeiro, derived from [354]. In the whole country, [name of this subgenre] is most often simply known as [384], although it is very different musically from what [384] means internationally. Artists: M.I.A., Bonde do Rolê, Bonde Do Tigrão.

386

Which literally translates to "strongly prohibited", is a subgenre of [385] originating from the favelas of Rio de Janeiro where it began in the early 1990s as a parallel phenomenon to the growth of drug gangs in the many slums of the city. Artists: Tati Quebra Barraco, Gaiola das Popozudas, MC Bin Laden.

387

Subgenre that fuses the Afro-Haitian genre Rara with [148]. Artists: Gardy Girault, Ayizan, Jean Léon Destiné.

388

A Middle-Eastern genre of [25] that combines the traditional forms of Dabke music with electronic instruments. "[half of the name of this subgenre]" is the Arabic name for the region of Greater Syria, Syria-Palestine or the Levant. Artists: 47 Soul, Islam Chipsy, Rizan Said.

389

Genre consisting of compositions that use MIDI files to create a song or a remix containing a large number of notes, typically in the thousands, millions, billions, or even trillions. Artists: Gingeas, 시이나마시로, HDSQ.

390

A style of [396] that originated in Chicago streets in the late 2000s. It progressed into the American mainstream circa 2012 following the success of rappers and producers like Chief Keef, Lil Durk, Lil Reese, Fredo Santana. Artists: King Louie, Famous Dex, Lil Bibby.

391

A regional subgenre of [390], centered in Brooklyn, New York, that began as derivative of the [390] scene in Chicago and later became derivative of [392] with its 808 percussion and sliding notes by producers from the [392] scene. Artists: Pop Smoke, Fivio Foreign, Kay Flock.

392

A subgenre of [390] and British Rap that originated in the South London district of Brixton from 2012 onwards. Typically, those who create this style of music are affiliated with gangs or come from socioeconomically-deprived neighbourhoods where crime is a way of life for many. Artists: Headie One, Dutchavelli, Bis.

393

[name of this subgenre] is often up-tempo and one of Southern hip hop's more [374] and club oriented subgenres. An archetypal [name of this subgenre] track frequently uses a main groove consisting of layered keyboard synths, a drum machine clapping rhythm, heavy [156]s, and shouting vocals, often in a call and response manner. Artists: Soulja Boy, LMFAO, Ying Yang Twins.

394

A musical fusion genre characterized by the combination of musical elements from [393], post-hardcore, heavy metal, [378], electronic and [374]. The genre often features screamed vocals, hip hop beats, and sexually provocative lyrics. Artists: Brokencyde, I Set My Friends on Fire, Hollywood Undead.

395

A loosely defined category of music that evokes cultural memory and the aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on cultural sources from the 1940s to 1970s, including library music, film and TV soundtracks, psychedelia, and public information films, often through the use of sampling. Artists: Pye Corner Audio, The Caretaker, Inca Ore.

396

A subgenre of hip hop music that originated in the Southern United States during the early 2000s. The genre gets its name from the Atlanta slang word "[name of this subgenre]", a house used exclusively to sell drugs. Artists: Young Thug, Future, Waka Flocka Flame.

397

Oakland slang meaning "hyperactive". The term was first coined by rapper Keak da Sneak. It's distinguished by gritty, pounding rhythms, and has been compared to [393]. San Jose producer Traxamillion is largely considered the first producer to create this style of music. Artists: E-40, Keak Da Sneak, Mac Dre.

398

The term "[name of this genre]" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Artists: Ulver, Buckethead, Captain Beefheart & His Magic Band.

399

A subgenre of gangsta rap that emerged from the West Coast scene in the late 1980s. The genre is heavily influenced by 1970s psychedelic funk sound of artists such as Parliament-Funkadelic. Artists: Snoop Dogg, Nate Dogg, Warren G.

400

An experimental form of [398] 20th and 21st century music and performance art. It is based on the concept that some pieces of music can or will harm either the listener or the performer, understanding that the piece in question may or may not be performed. Artists: Crash Worship, Hanatarash, Farmer Joe & The Ignorant Corpses.