Hint | Composers | Answer | % Correct | |
---|---|---|---|---|
D | A composition for two performers of equal importance | Brahms, Schubert, Poulenc | Duet | 81%
|
S | A multi-movement compostion for full orchestra | Mozart, Haydn, Schubert, Beethoven, Tchaikovsky, Shostakovich | Symphony | 81%
|
E | A technical study, raised to virtuostic levels by certain composers | Chopin, Liszt, Rachmaninoff | Etude | 80%
|
O | Musical drama with scenery, acting, and a sung libretto with orchestral accompaniment | Mozart, Puccini, Wagner | Opera | 80%
|
Q | Common trem for chamber music for 4 performers; typical instrumentation for strings consists of two vilons, a viola, and a cello | Beethoven, Schumann | Quartet | 69%
|
N | Expressive, lyrical composition generally written for piano | Field, Chopin | Nocturne | 61%
|
F | An imaginative "free form" composition which does not follow any strict overall form | Brahms, Chopin | Fantasia | 50%
|
H | A dance from Cuba, usually in slow to moderate duple time | Bizet | Habanera | 50%
|
V | Composition which states a musical motif, theme, or harmonic sequence and then modifies it in numerous ways | Haydn, Beethoven Schubert | Variations | 50%
|
J | An English popular dance of the 16th century | derived from folk music | Jig | 46%
|
B | A rather long, expressive "narrative" composition | Chopin, Brahms | Ballade | 43%
|
C | A choral composition with a continuous narrative text, sacred or secular, consisting of numerous sections or movements | Bach, Rameau, Handel | Cantata | 43%
|
K | The first item of the ordinary of Roman Catholic mass, consisting of three invocations, each sung three times | anonymous | Kyrie | 41%
|
R | Free form composition usually with a dramatic, "heroic" and/or national character | Brahms, Gershwin, Liszt | Rhapsody | 41%
|
A | A light spirited piece; also a move in ballet | Burgmuller, Debussy | Arabesque | 37%
|
G | Liturgical chant of the Roman Catholic church | Anoymous | Gregorian chant | 33%
|
I | Name applied to 19th century character pieces, generally rather short | Schubert, Chopin | Impromptu | 30%
|
T | Virtuostic, but also expressive composition with somewhat free tempos, alternating full chords with rapid scale passages | Bach, Schumann, Debussy, Prokofieff | Toccata | 30%
|
M | An unaccompanied vocal contrapuntal part-song, particularly popular during the Renaissance, employing counterpoint | anonymous | Madrigal | 15%
|
L | Austrian dance in the character of a slow waltz | Mozart, Beethoven, Schubert | Landler | 9%
|
Z | A Spanish opera particularly popular in the 19th century which has spoken dialog as well as sung, but can be of a serious nature; it takes its name from a palace near Madrid, similar to Versailles | Barbieri, Chapi | Zarzuela | 4%
|
P | A 17th and 18th century term for a suite or set of variations | Bach | Partitia | 2%
|
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