#1
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Poetry Collections
|
1945
|
The North Ship
|
1951
|
XX Poems
|
1955
|
The Less Deceived
|
1964
|
The Whitsun Weddings
|
1974
|
High Windows
|
1988
|
Collected Poems
|
2003
|
Collected Poems
|
2012
|
The Complete Poems
|
|
|
#2
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Poems
|
1945
|
All Catches Alight
|
1945
|
This Was Your Place of Birth, This Daytime Palace
|
1945
|
The Moon Is Full Tonight
|
1945
|
Dawn
|
1945
|
Conscript
|
1945
|
Kick Up the Fire, and Let the Flames Break Loose
|
1945
|
The Horns of the Morning
|
1945
|
Winter
|
1945
|
Climbing the Hill Within the Deafening Wind
|
1945
|
Within the Dream You Said
|
1945
|
Night-Music
|
1945
|
Like the Train's Beat
|
1945
|
I Put My Mouth
|
1945
|
Nursery Tale
|
1945
|
The Dancer
|
1945
|
The Bottle Is Drunk Out by One
|
1945
|
To Write One Song, I Said
|
1945
|
If Grief Could Burn Out
|
1945
|
Ugly Sister
|
1945
|
I See a Girl Dragged by the Wrists
|
1945
|
I Dreamed of an Out-Thrust Arm of Land
|
1945
|
One Man Walking a Deserted Platform
|
1945
|
If Hands Could Free You, Heart
|
1945
|
Love, We Must Part Now: Do Not Let It Be
|
1945
|
Morning Has Spread Again
|
1945
|
This Is the First Thing
|
1945
|
Heaviest of Flowers, the Head
|
1945
|
Is It for Now or for Always
|
1945
|
Pour Away That Youth
|
1945
|
So Through that Unripe Day You Bore Your Head
|
1945
|
The North Ship
|
1945
|
Waiting for Breakfast, While She Brushed Her Hair
|
1955
|
Lines on a Young Lady's Photograph Album
|
1955
|
Wedding-Wind
|
1955
|
Places, Loved Ones
|
1955
|
Coming
|
1955
|
Reasons for Attendance
|
1955
|
Dry-Point
|
1955
|
Next, Please
|
1955
|
Going
|
1955
|
Wants
|
1955
|
Maiden Name
|
1955
|
Born Yesterday
|
1955
|
Whatever Happened?
|
1955
|
No Road
|
1955
|
Wires
|
1955
|
Church Going
|
1955
|
Age
|
1955
|
Myxomatosis
|
1955
|
Toads
|
1955
|
Poetry of Departures
|
1955
|
Triple Time
|
1955
|
Spring
|
1955
|
Deceptions
|
1955
|
I Remember, I Remember
|
1955
|
Absences
|
1955
|
Latest Face
|
1955
|
If, My Darling
|
1955
|
Skin
|
1955
|
Arrivals, Departures
|
1955
|
At Grass
|
1964
|
Here
|
1964
|
Mr. Bleaney
|
1964
|
Nothing to Be Said
|
1964
|
Love Songs in Age
|
1964
|
Naturally the Foundation will Bear Your Expenses
|
1964
|
Broadcast
|
1964
|
Faith Healing
|
1964
|
For Sidney Bechet
|
1964
|
Home Is So Sad
|
1964
|
Toads Revisited
|
1964
|
Water
|
1964
|
The Whitsun Weddings
|
1964
|
Self's the Man
|
1964
|
Take One Home for the Kiddies
|
1964
|
Days
|
1964
|
MCMXIV
|
1964
|
Talking in Bed
|
1964
|
The Large Cool Store
|
1964
|
A Study of Reading Habits
|
1964
|
As Bad as a Mile
|
1964
|
Ambulances
|
1964
|
The Importance of Elsewhere
|
1964
|
Sunny Prestatyn
|
1964
|
First Sight
|
1964
|
Dockery and Son
|
1964
|
Ignorance
|
1964
|
Reference Back
|
1964
|
Wild Oats
|
1964
|
Essential Beauty
|
1964
|
Send No Money
|
1964
|
Afternoons
|
1964
|
An Arundel Tomb
|
1974
|
To the Sea
|
1974
|
Sympathy in White Major
|
1974
|
The Trees
|
1974
|
Livings: I, II, III
|
1974
|
Forget What Did
|
1974
|
High Windows
|
1974
|
Friday Night in the Royal Station Hotel
|
1974
|
The Old Fools
|
1974
|
Going, Going
|
1974
|
The Card-Players
|
1974
|
The Building
|
1974
|
Posterity
|
1974
|
Dublinesque
|
1974
|
Homage to a Government
|
1974
|
This Be the Verse
|
1974
|
How Distant
|
1974
|
Sad Steps
|
1974
|
Solar
|
1974
|
Annus Mirabilis
|
1974
|
Vers de Société
|
1974
|
Show Saturday
|
1974
|
Money
|
1974
|
Cut Grass
|
1974
|
The Explosion
|
1988
|
Ultimatum
|
1988
|
Story
|
1988
|
A Writer
|
1988
|
May Weather
|
1988
|
Observation
|
1988
|
Disintegration
|
1988
|
Mythological Introduction
|
1988
|
A Stone Church Damaged by a Bomb
|
1988
|
Femmes Damnées
|
1988
|
Portrait
|
1988
|
The Dedicated
|
1988
|
Modesties
|
1988
|
Fiction and the Reading Public
|
1988
|
Olis
|
1988
|
Who Called Love Conquering
|
1988
|
Since the Majority of Me
|
1988
|
Arrival
|
1988
|
Tops
|
1988
|
Success Story
|
1988
|
Continuing to Live
|
1988
|
Pigeons
|
1988
|
Breadfruit
|
1988
|
Love
|
1988
|
When the Russian Tanks Roll Westward
|
1988
|
How
|
1988
|
Heads in the Women's Ward
|
1988
|
The Life with a Hole in It
|
1988
|
Bridge for the Living
|
1988
|
Aubade
|
1988
|
1952-1977
|
1988
|
New Eyes Each Year
|
1988
|
The Mower
|
1988
|
Dear CHARLES, My Muse, Asleep or Dead
|
1988
|
Party Politics
|