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1.
Tonal progression of the Overture
A Major- E major- A major
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A major- D Major- E major- A major
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D major- A Major- D major
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D major- A Major- D minor- D major
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Originally a D minor development section existed but Mozart scrapped it leaving us with a purely major overture.
2.
Structure of the Overture
As outlined about a Development section was scrapped, leaving two subjects and a recapitulation
3.
Tempo indication of the Overture
4.
Tonal Progression of No.1 Duettino
F major- C major- D major- F major
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D major- A major- D major
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G major- A major- D major- G major
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G major- D major- G major
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5.
Tempo indication of No.1 Duettino
6.
Structure of No.1 Duettino
The movement is based on two ideas one representing Figaro and the other Susanna
7.
Structure of No.3 Cavatina
8.
Tonal Structure of No.3 Cavatina
F major- C major- F major- G minor- F major
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F major- C major- F major
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F major- C major- F major- D minor- F major
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F major- C major- D minor- F major
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9.
Tempo Indication of No.3 Cavatina
10.
Tempo indication of No.4 La Vendetta
11.
Structure of No.4 La Vendetta
12.
Tonal structure of No.4 La Vendetta
D major- A major- E Major- D major
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D major- A major- E Major- A Major- D major
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D major- E Major- D major
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D major- A major- D major
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13.
Structure of No.5 Duettino
Two melodic ideas present in this aria, just developed upon and used in different settings
14.
Tempo Indication of No.5 Duettino
15.
Tonal structure of No.5 Duettino
A major- D major- A major- D major- E major- A major
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A major- E major- A major- D major- E major- A major
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A major- E major- D major- E major- A major
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A major- E major- A major- E major- A major
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