Hint | Answer | % Correct |
---|---|---|
Relationship between light and colour; free brushstrokes | Impressionism | 82%
|
Subjects are painted from sevaral angles simultaneously | Cubism | 80%
|
Unnerving and impossible scenarios depicted | Surrealism | 73%
|
The canvas displays the artist's emotion, not the real world | Expressionism | 70%
|
Depiction of subjects without embellishment | Realism | 68%
|
Small dots of primary colour form the image | Pointillism | 56%
|
Pure, contrasting colours painted in block areas | Fauvism | 46%
|
Glorifies modernity | Futurism | 43%
|
Elevated emotion such as fear, victory, true love; political scenes | Romanticism | 40%
|
Took inspiration from ancient Greece and Rome | Neo-Classicism | 37%
|
Non-figurative; emotional intensity | Abstract Expressionism | 36%
|
Free of decoration and emotion | Minimalism | 33%
|
A generic term for contemporary work | Post-Modernism | 23%
|
Influential in revolutionary Russia; machinery plays a role | Constructivism | 22%
|
Takes inspiration from non-Western and prehistoric peoples | Primitivism | 20%
|
Bright colours and dramatic movement; opposes harmony | Mannerism | 10%
|
A branch of cubism; bright colour; abstraction | Orphism | 4%
|
Short-lived British movement; harsh and angular | Vorticism | 4%
|
Also known as 'anti-anti-art'; opposes conceptual art | Stuckism | 3%
|
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